Bob Dylan's 'Ninety Miles an Hour (Down a Dead End Street)' had a release date set for May 31, 1988. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Ninety Miles an Hour (Down a Dead End Street)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 10 in Down In The Groove by Bob Dylan. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Ninety Miles an Hour (Down a Dead End Street) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ninety Miles an Hour (Down a Dead End Street) by Bob Dylan is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swiss Cottage Place | Mickey Newbury | C Major | 2 | 8B | 84 BPM | ||
| Empty Chairs | Don McLean | G Major | 1 | 9B | 93 BPM | ||
| Let the Mystery Be | 10,000 Maniacs | D Major | 6 | 10B | 141 BPM | ||
| A Bunch of Lonesome Heroes | Leonard Cohen | A Major | 2 | 11B | 100 BPM | ||
| Love Hurts - 2006 Remaster | Gram Parsons | G Major | 1 | 9B | 69 BPM | ||
| Sign Language | Eric Clapton | E Minor | 6 | 9A | 132 BPM | ||
| Precious Time | Maria McKee | D Major | 2 | 10B | 87 BPM | ||
| Vomit Express | Allen Ginsberg | C Major | 5 | 8B | 127 BPM | ||
| Help Yourself | Joan Armatrading | G Major | 2 | 9B | 89 BPM | ||
| Crossing Muddy Waters | John Hiatt | A Major | 5 | 11B | 101 BPM | ||
| It Hurts Me Too | Karen Dalton | A Major | 1 | 11B | 181 BPM | ||
| Baby Let Me Follow You Down (Reprise) (feat. Bob Dylan) - Concert Version | The Band, Bob Dylan | C Major | 10 | 8B | 136 BPM | ||
| Be Yourself | Graham Nash | G Major | 3 | 9B | 158 BPM | ||
| Duchess | Scott Walker | B Major | 2 | 1B | 128 BPM | ||
| Red River Shore - Outtake from 'Time Out Of Mind' Sessions, Version 1 | Bob Dylan | C Major | 4 | 8B | 178 BPM | ||
| Miss the Mississippi - Studio Outtake - 1992 | Bob Dylan | A Major | 3 | 11B | 123 BPM | ||
| Vigilante Man | Woody Guthrie | D Major | 2 | 10B | 101 BPM | ||
| Do for the Others | Stephen Stills | B♭ Major | 3 | 6B | 152 BPM | ||
| Our Town | Iris DeMent | B Major | 3 | 1B | 116 BPM | ||
| Romance in Durango (Live at Harvard Square Theatre) | Bob Dylan | D Major | 5 | 10B | 169 BPM | ||
| Helpless | Crosby, Stills, Nash & Young | D Major | 2 | 10B | 115 BPM | ||
| The River Knows Your Name | John Hiatt | F Major | 3 | 7B | 125 BPM | ||
| HEALING | STEVE THE TRAILPLAYER LIVE | D Major | 3 | 10B | 156 BPM | ||
| So Begins the Task | Stephen Stills | C Major | 8 | 8B | 78 BPM | ||
| We'll Sweep out the Ashes in the Morning - 2007 Remaster | Gram Parsons | F Major | 6 | 7B | 137 BPM |