"The Last Meeting" by Elias Rahbani had its release date on January 1, 1973. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. The Last Meeting's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Elias Rahbani's "Les plus beaux jours de ma vie" album is number 11 out of 21. On top of that, France appears to be the country where this track was created. Based on our statistics, The Last Meeting's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Last Meeting by Elias Rahbani to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Men Andena | Ronza | E♭ Major | 5 | 5B | 94 BPM | ||
| El Ayam | Majida El Roumi | D Minor | 2 | 7A | 80 BPM | ||
| Ala Baly | Aida Chalhoub | B♭ Minor | 8 | 3A | 120 BPM | ||
| C'est pas ma faute | Elias Rahbani and His Orchestra | F Major | 4 | 7B | 122 BPM | ||
| Tammy | Elias Rahbani and His Orchestra | A♭ Major | 5 | 4B | 93 BPM | ||
| Ter Bina Ya Kalbi | Mohamed Fawzi | D Minor | 3 | 7A | 78 BPM | ||
| The Happiest Days | Elias Rahbani | D Minor | 7 | 7A | 141 BPM | ||
| Bouchar | Georgette Sayegh | A Major | 7 | 11B | 129 BPM | ||
| Bezkour Min Zaman | Joseph Nassif | C Minor | 2 | 5A | 105 BPM | ||
| Eyak Men Hoby | Farid al-Atrash | F Minor | 2 | 4A | 101 BPM | ||
| Takassim Oud | Oriental Lebanese Band | C Major | 2 | 8B | 88 BPM | ||
| Seninle Başım Dertte - Enstrümantal | Selami Şahin | F Minor | 4 | 4A | 143 BPM | ||
| Ahabak Gadan | Majida El Roumi | A Minor | 8 | 8A | 120 BPM | ||
| La melancolie - From "Comme un Boomerang" | Georges Delerue | A Minor | 0 | 8A | 79 BPM | ||
| Oud Bina Ya Leil | Salwa El Katrib | C Major | 3 | 8B | 113 BPM | ||
| Gino et Sophie - From Deux hommes dans la ville | Philippe Sarde | E Minor | 2 | 9A | 85 BPM | ||
| Fi Sokoun El Leil | Abdel Halim Hafez | E Minor | 2 | 9A | 101 BPM | ||
| Mashya El Sanyoora | Hany Shnoda Ferqet Masr | D Major | 4 | 10B | 162 BPM | ||
| Ya Msafera | Lena Chamamyan | B♭ Minor | 4 | 3A | 189 BPM | ||
| Fe Hawed El Leil | Ali El Haggar | C Major | 4 | 8B | 139 BPM | ||
| Khalo El Alat | Hany Shnoda Ferqet Masr | D Minor | 3 | 7A | 122 BPM | ||
| Asfour | Oumeima El Khalil | A Minor | 4 | 8A | 142 BPM | ||
| Helwa Ya Niyalha | Zaki Nassif | B♭ Minor | 5 | 3A | 85 BPM | ||
| حتي اخر العمر | Anthony Fanous | D Minor | 3 | 7A | 125 BPM | ||
| Uccidere in silenzio 3 | Nora Orlandi, Stelvio Cipriani | G Major | 1 | 9B | 125 BPM |