Junichi Inagaki's 'LONG AFTER MID-NIGHT' had a release date set for 1983. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "SHYLIGHTS". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Japan. Based on our statistics, LONG AFTER MID-NIGHT's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With LONG AFTER MID-NIGHT by Junichi Inagaki having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 雨音 | Toshinobu Kubota | B Minor | 7 | 10A | 90 BPM | ||
| 色・ホワイトブレンド | 中山美穂 | G Major | 6 | 9B | 124 BPM | ||
| 君のひとみは10000ボルト | Takao Horiuchi | B Major | 6 | 1B | 134 BPM | ||
| 風立ちぬ | Junichi Inagaki, Kaho Shimada | E Major | 8 | 12B | 125 BPM | ||
| 迷い道 | Machiko Watanabe | C Minor | 6 | 5A | 113 BPM | ||
| Mou Warau Shikanai | Eri Hiramatsu | A♭ Major | 10 | 4B | 120 BPM | ||
| あなたに会えてよかった | Kyoko Koizumi | E Major | 8 | 12B | 125 BPM | ||
| 初恋のメロディー | Asami Kobayashi | A♭ Major | 3 | 4B | 104 BPM | ||
| 赤道小町ドキッ | Kumiko Yamashita | A♭ Major | 9 | 4B | 145 BPM | ||
| Hold On Me | Kahoru Kohiruimaki | A♭ Minor | 9 | 1A | 125 BPM | ||
| 木綿のハンカチーフ | Junichi Inagaki, Hiromi Ota | B Minor | 9 | 10A | 126 BPM | ||
| 三都物語 | Shinji Tanimura | D♭ Minor | 4 | 12A | 102 BPM | ||
| SHADOW CITY | Akira Terao | A♭ Minor | 6 | 1A | 86 BPM | ||
| 愛のメモリー | Shigeru Matsuzaki | B Minor | 5 | 10A | 167 BPM | ||
| アクアマリンのままでいて - 2022 Remaster | Carlos Toshiki And Omega Tribe | E♭ Major | 1 | 5B | 105 BPM | ||
| Woman | Keizo Nakanishi | B Minor | 7 | 10A | 92 BPM | ||
| 悲しい色やね | Masaki Ueda | A Major | 4 | 11B | 74 BPM | ||
| 琥珀色の想い出 | あみん | B Major | 4 | 1B | 109 BPM | ||
| パープル・モンスーン | 上田知華+KARYOBIN | E Major | 2 | 12B | 94 BPM | ||
| ハロー・グッバイ | Yoshie Kashiwabara | F Major | 6 | 7B | 139 BPM | ||
| シャドー・ボクサー | Shinji Harada | F Major | 5 | 7B | 129 BPM | ||
| ルビーの指環 | Akira Terao | E♭ Major | 4 | 5B | 96 BPM | ||
| セシル - Single Version; 2015 Remaster | 浅香 唯 | A♭ Major | 10 | 4B | 133 BPM | ||
| 唇よ、熱く君を語れ | Machiko Watanabe | C Major | 6 | 8B | 132 BPM | ||
| リフレインが叫んでる | Yumi Matsutoya | E Minor | 8 | 9A | 123 BPM |