On January 27, 2008, the song "Odna (Alone), Op. 26 [reconstructed by M. Fitz-Gerald]: Reel 7, Kuzmina's Rescue by Aeroplane: The Aeroplane from Moscow Arrives to Rescue the Teacher" was released by Irina Mataeva, Anna Kiknadze, Dmitry Voropaev, Mark van Tongeren, Barbara Buchholz, Ulrich Edelmann, Frankfurt Vocal Ensemble, Radio-Sinfonie-Orchester Frankfurt, Mark Fitz-Gerald. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 48 in the song's album "Shostakovich: Odna (Alone)". In this album, this song's track order is #48. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Odna (Alone), Op. 26 [reconstructed by M. Fitz-Gerald]: Reel 7, Kuzmina's Rescue by Aeroplane: The Aeroplane from Moscow Arrives to Rescue the Teacher's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Odna (Alone), Op. 26 [reconstructed by M. Fitz-Gerald]: Reel 7, Kuzmina's Rescue by Aeroplane: The Aeroplane from Moscow Arrives to Rescue the Teacher by Irina Mataeva, Anna Kiknadze, Dmitry Voropaev, Mark van Tongeren, Barbara Buchholz, Ulrich Edelmann, Frankfurt Vocal Ensemble, Radio-Sinfonie-Orchester Frankfurt, Mark Fitz-Gerald having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 8 in G Minor | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker | A♭ Major | 0 | 4B | 65 BPM | ||
| Isabella: Overture | Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra | D Major | 2 | 10B | 93 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| The Love for Three Oranges Op. 33: Marche | Sergei Prokofiev, Kent Nagano, Orchestre De L'Opéra National De Lyon | A♭ Major | 4 | 4B | 128 BPM | ||
| The Emperor Waltz | The Ball Orchestra Of Vienna | C Major | 0 | 8B | 89 BPM | ||
| Quick March: Third Dragoon Guards | The Royal Scots Dragoon Guards | E♭ Major | 8 | 5B | 201 BPM | ||
| The King's Squad | The Band of Her Majesty's Royal Marines Portsmouth | D Minor | 6 | 7A | 108 BPM | ||
| New London Pictures: III. Congestion Charge | Nigel Hess, Central Band Of The Royal Air Force | C Minor | 5 | 5A | 145 BPM | ||
| Sibelius: King Christian II Suite, Op. 27: I. Nocturne | Jean Sibelius, Scottish National Orchestra/Sir Alexander Gibson, Alexander Gibson, Scottish National Orchestra | E Minor | 1 | 9A | 77 BPM | ||
| Uncle Fatty likes sloths | Chubby Uncle | C Major | 1 | 8B | 147 BPM | ||
| Tchaikovsky: Slavonic March, Op. 31 | Pyotr Ilyich Tchaikovsky, Seiji Ozawa, Berliner Philharmoniker | E Minor | 2 | 9A | 104 BPM | ||
| Giselle, Act I: Pas seul - Pas de deux des jeunes paysans | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 71 BPM | ||
| Lortzing: Zar und Zimmermann, Act III: 'Holzschuhtanz' | Albert Lortzing, Berliner Symphoniker, Berislav Klobucar | E♭ Major | 1 | 5B | 91 BPM | ||
| Act II, ii, 7 Grand pas Classique: Opening Mazurka (Minkus) | Ludwig Minkus, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè | A Major | 2 | 11B | 68 BPM | ||
| Innuendo | Brass Band Willebroek, Frans Violet, Robby Boone, Simon Binon | E♭ Major | 3 | 5B | 101 BPM | ||
| España, Op. 236 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | F Major | 3 | 7B | 118 BPM | ||
| Beim Kirchweihfest | Paul Edger | E♭ Major | 2 | 5B | 91 BPM | ||
| Variationen über die österreichische Kaiserhymne (1) (Concerto Imperiale) | European Philharmonic Orchestra | E Minor | 4 | 9A | 110 BPM | ||
| Pomone, Op. 155 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | E♭ Major | 2 | 5B | 183 BPM | ||
| Eugen Onegin: Polonaise | Rundfunkorchester Berlin, Heinz Fricke | G Major | 5 | 9B | 95 BPM | ||
| Der Probekuss: In Saus und Braus | Carl Millöcker, Wiener Johann Strauss Orchester, Alfred Eschwe | F Major | 4 | 7B | 78 BPM | ||
| Unter der Enns - Polka Op. 121 | Eduard Strauss, Hallé, Bramwell Tovey | D Major | 4 | 10B | 153 BPM | ||
| United Nations March (Arr. Leopold Stokowski) | Dmitri Shostakovich, Matthias Bamert, BBC Philharmonic | E Major | 2 | 12B | 118 BPM | ||
| Rund Um Die Liebe: Rund Um Die Liebe, Ouverture | Oscar Straus, Budapest Strauss Symphony Orchestra | A Major | 3 | 11B | 73 BPM | ||
| Chubby Uncle likes Min Sohee | Chubby Uncle | C Major | 2 | 8B | 196 BPM |