Conway Twitty's ' "After All The Good Is Gone" was released on its scheduled release date, January 1, 2000. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. After All The Good Is Gone's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "The #1 Hits Collection". In this album, this song's track order is #5. After All The Good Is Gone is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With After All The Good Is Gone by Conway Twitty having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Should I Come Home (Or Should I Go Crazy) | Gene Watson | A♭ Major | 6 | 4B | 110 BPM | ||
| Lovin' What Your Lovin' Does To Me - Single Version | Loretta Lynn, Conway Twitty | B Major | 4 | 1B | 100 BPM | ||
| Don't Close Your Eyes | Keith Whitley | G Major | 2 | 9B | 78 BPM | ||
| Act Naturally | Buck Owens | G Major | 4 | 9B | 92 BPM | ||
| Paint Me A Birmingham | Tracy Lawrence | F♯ Major | 4 | 2B | 132 BPM | ||
| Same Ole Me | George Jones | G Major | 3 | 9B | 109 BPM | ||
| Stand By Me - Single Version | Mickey Gilley | E Major | 4 | 12B | 91 BPM | ||
| I've Cried My Last Tear For You | Ricky Van Shelton | G Major | 5 | 9B | 142 BPM | ||
| Do You Love As Good As You Look | The Bellamy Brothers | G Major | 5 | 9B | 122 BPM | ||
| Up Comes The Bottle (Down Goes The Man) | Conway Twitty | G Major | 3 | 9B | 115 BPM | ||
| I'll Go To My Grave Loving You | The Statler Brothers | B♭ Major | 4 | 6B | 95 BPM | ||
| I Like Beer | Tom T. Hall | E Major | 4 | 12B | 170 BPM | ||
| Goin' Through The Big D | Mark Chesnutt | B♭ Major | 9 | 6B | 174 BPM | ||
| It Sure Is Monday | Mark Chesnutt | F Major | 7 | 7B | 147 BPM | ||
| When You Say Nothing at All | Keith Whitley | E♭ Major | 3 | 5B | 80 BPM | ||
| Be My Baby Tonight | John Michael Montgomery | A Major | 8 | 11B | 157 BPM | ||
| On Second Thought | Eddie Rabbitt | A Major | 7 | 11B | 131 BPM | ||
| On the Other Hand | Randy Travis | F Major | 4 | 7B | 96 BPM | ||
| Heaven's Just A Sin Away | The Kendalls | F♯ Major | 6 | 2B | 153 BPM | ||
| I See It Now | Tracy Lawrence | F Major | 4 | 7B | 92 BPM | ||
| She Got the Goldmine (I Got the Shaft) | Jerry Reed | A Major | 7 | 11B | 111 BPM | ||
| I Meant Every Word He Said | Ricky Van Shelton | E Major | 2 | 12B | 86 BPM | ||
| Hello Darlin' - Single Version | Conway Twitty | C Major | 2 | 8B | 171 BPM | ||
| He Walked on Water | Randy Travis | D Major | 3 | 10B | 90 BPM | ||
| He Stopped Loving Her Today | George Jones | A♭ Major | 2 | 4B | 144 BPM |