Beardfish's 'Afternoon Conversation' had a release date set for 2007. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Sleeping In Traffic: Pt. 1". In this album, this song's track order is #3. Based on our statistics, Afternoon Conversation's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Afternoon Conversation by Beardfish having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Slow Down | Kingcrow | B♭ Major | 7 | 6B | 132 BPM | ||
| Hardcore | IQ | A Minor | 4 | 8A | 140 BPM | ||
| Angelica | Unitopia | B Minor | 8 | 10A | 87 BPM | ||
| Rose Colored Glasses | Transatlantic | D Major | 6 | 10B | 131 BPM | ||
| The New Math (What He Said) | OSI | A Major | 8 | 11B | 90 BPM | ||
| Chequered Light Buildings | Gazpacho | G Minor | 5 | 6A | 146 BPM | ||
| Stuck | Leprous | A Minor | 7 | 8A | 98 BPM | ||
| This Visual Hex | Vulkan | E Major | 10 | 12B | 196 BPM | ||
| On the Prowl | Transatlantic | D♭ Major | 8 | 3B | 142 BPM | ||
| Evaporator | Frost* | A♭ Major | 7 | 4B | 95 BPM | ||
| Helix | Phideaux | F Minor | 6 | 4A | 105 BPM | ||
| Imperial Winter White | Wobbler | B Minor | 5 | 10A | 113 BPM | ||
| What Awaits Me | Pattern-Seeking Animals | E Minor | 6 | 9A | 135 BPM | ||
| Refuel | Rocket Scientists | A Major | 7 | 11B | 83 BPM | ||
| Emperor's Clothes | Spock's Beard | C Major | 8 | 8B | 164 BPM | ||
| Fanfare for the Broken Hearted | Comedy of Errors | E Minor | 7 | 9A | 130 BPM | ||
| Day Three: Pain | Ayreon | B Major | 5 | 1B | 100 BPM | ||
| Turn to Gravel | Beardfish | A♭ Major | 8 | 4B | 141 BPM | ||
| Bit by Bit | Sylvan | C Major | 8 | 8B | 165 BPM | ||
| Not Our Place to Be | RPWL | G Major | 7 | 9B | 202 BPM | ||
| Answer to Life | Sylvan | B♭ Minor | 8 | 3A | 109 BPM | ||
| First Contact | Karfagen | B Minor | 8 | 10A | 82 BPM | ||
| Pale Blue Dot | Sound Of Contact | C Minor | 7 | 5A | 130 BPM | ||
| The Death of Simpson | Nospūn | A♭ Major | 9 | 4B | 140 BPM | ||
| Ashes of Dawn | The Sea Within | F♯ Major | 7 | 2B | 154 BPM |