Antoine Forqueray, Atsushi Sakai, Christophe Rousset, Marion Martineau, Isabelle Saint-Yves's 'La Girouette' had a release date set for February 23, 2018. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. La Girouette's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 16 in Couperin: Pièces de viole by Atsushi Sakai, Christophe Rousset, Marion Martineau, Isabelle Saint-Yves. Going off of the ISRC code of this track, we detected that the origin of this track is from France. La Girouette is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Girouette by Antoine Forqueray, Atsushi Sakai, Christophe Rousset, Marion Martineau, Isabelle Saint-Yves is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: II. Adagio | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
| Sonate en trio pour deux violoncelles et une contrebasse No. 6 Op. 2: III. Minuetto 1 & 2 | Louis-François-Joseph Patouart, UnderStories Ensemble | D♭ Major | 1 | 3B | 97 BPM | ||
| Pièces De Viole - 1Ere Suite. La Couperin | Jordi Savall, Antoine Forqueray | F♯ Major | 0 | 2B | 118 BPM | ||
| Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:H1: II. Largo | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | F Minor | 0 | 4A | 81 BPM | ||
| Motets à une, deux et trois voix, Op. 1: No. 15, Venite, exultemus: IV. adoremus | Nicolas Bernier, Romain Bockler, Concerto Soave | F♯ Minor | 1 | 11A | 137 BPM | ||
| Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
| First Suite In A Minor (Premiere Suite, En La Mineur): Introduction (L'Entrevue) | Alexandre De Villeneuve | E♭ Major | 2 | 5B | 69 BPM | ||
| Violin Concerto in A Major, TWV 51:A4 "Die Relinge": III. Menuet - Alternativement | Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck | D♭ Major | 3 | 3B | 140 BPM | ||
| Io veggio i campi verdeggiar fecondi | Francesca Caccini, Shannon Mercer, Luc Beauséjour, Sylvain Bergeron, Amanda Keesmaat | F Major | 0 | 7B | 72 BPM | ||
| Violin Sonata No. 5 in E Minor, C. 142: II. Variatio - Allegro | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | E♭ Minor | 0 | 2A | 115 BPM | ||
| Sonate in A Minor: IV. Sarabande | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Justin Taylor | D♭ Major | 1 | 3B | 110 BPM | ||
| Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
| Rondeau | Antoine Forqueray, Scott Ross | D♭ Minor | 2 | 12A | 104 BPM | ||
| Allegro | Nicola Matteis, Gli Incogniti, Amandine Beyer | E♭ Minor | 3 | 2A | 131 BPM | ||
| Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Pieces de viole, Suite No. 1 in D Minor: IV. La Bellemont: Avec Gout et sans lenteur | Antoine Forqueray, Lorenz Duftschmid, Christoph Urbanetz, Thomas Boysen, Johannes Hämmerle | B♭ Minor | 1 | 3A | 68 BPM | ||
| Welcome Every Guest: I. Symphony | John Blow, Vincent Dumestre, Le Poème Harmonique | D♭ Major | 2 | 3B | 85 BPM | ||
| Suite in G Minor: III. Sarabande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | D♭ Minor | 2 | 12A | 93 BPM | ||
| Sonata a tromba in D Major, TWV 44:1: III. Vivace | Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck, Ute Hartwich | D♭ Major | 3 | 3B | 141 BPM | ||
| Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Facultad organica: No. 13, Tiento de primero tono, FO 13 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | A♭ Minor | 1 | 1A | 119 BPM | ||
| Ode for St Cecilia's Day, Z. 339: "Here the Deities Approve" | Henry Purcell, Tim Mead, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Minor | 2 | 3A | 119 BPM | ||
| Ground in D Major | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | A Major | 1 | 11B | 113 BPM | ||
| Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM |