On 1987, the song "SALVADOR - '09 24bit Digital remastering" was released by Sadao Watanabe. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in バーズ・オブ・パッセージ, so we believe that "SALVADOR - '09 24bit Digital remastering" is a single. In terms of popularity, SALVADOR - '09 24bit Digital remastering is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of SALVADOR - '09 24bit Digital remastering by Sadao Watanabe is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| リキッド・フィンガーズ | Kazumi Watanabe | G Major | 7 | 9B | 120 BPM | ||
| マイ・カントリー | Sadao Watanabe | E♭ Major | 6 | 5B | 147 BPM | ||
| PANCAKE ICE パンケーキ・アイス | 菊池ひみこ | B♭ Major | 6 | 6B | 116 BPM | ||
| DAYTONA BEACHWAY | Masaru Imada, 今田あきら, Toshiyuki Honda | D Minor | 7 | 7A | 115 BPM | ||
| Tequila Toast | Masaki Matsubara | B Minor | 6 | 10A | 201 BPM | ||
| YOU'RE SORRY | Jun Fukamachi | C Major | 6 | 8B | 152 BPM | ||
| Morning Glory | Eric Gale | D Major | 4 | 10B | 81 BPM | ||
| ブラック・カナル | Kazumi Watanabe | F Major | 7 | 7B | 122 BPM | ||
| Love Lights | Pyramid | G Major | 6 | 9B | 127 BPM | ||
| ウィ・アー・ジ・ワン | Sadao Watanabe | F Minor | 8 | 4A | 99 BPM | ||
| ミッドナイト・ブルー | 井上銘, Jun Miyakawa, 菅野知明 | B♭ Minor | 5 | 3A | 107 BPM | ||
| ディープ・イン・ア・ドリーム | Sadao Watanabe | C Major | 2 | 8B | 85 BPM | ||
| And Then I Knew | Pat Metheny Group | G Minor | 4 | 6A | 114 BPM | ||
| Spring Ain't Here | Pat Metheny Group | F Minor | 4 | 4A | 103 BPM | ||
| Home Song | Gontiti | A Major | 5 | 11B | 114 BPM | ||
| It's A Shame | Paul Jackson, Jr. | F♯ Major | 7 | 2B | 206 BPM | ||
| Alone Again Naturally | Blue Mitchell | F Major | 3 | 7B | 150 BPM | ||
| HIP POCKET | Akira Jimbo | B Minor | 8 | 10A | 115 BPM | ||
| ユニコーン | Kazumi Watanabe | F Major | 7 | 7B | 122 BPM | ||
| BOSTON FLIGHT | Kenji Omura | G Major | 6 | 9B | 98 BPM | ||
| Monsoon in Crimson | Ear Candy Jazz Factory | F Minor | 6 | 4A | 120 BPM | ||
| Breezin' Easy | Tom Scott | D Major | 2 | 10B | 88 BPM | ||
| Imperial Strut | Yellowjackets | A♭ Major | 6 | 4B | 128 BPM | ||
| Love Notes | Ramsey Lewis | D Major | 5 | 10B | 106 BPM | ||
| Creepin' | Herbie Mann | F Major | 4 | 7B | 105 BPM |