"Rose-Marie, Act I Scene 4: Introduction - Rose-Marie (Reprise)" by Rudolf Friml, Herbert Stothart, Catholic University of America A Cappella Choir, James R. Morris had its release date on January 7, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 24 in Friml & Stothart: Rose-Marie by Ron Raines, Debra Vanderlinde, James R. Morris. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Rose-Marie, Act I Scene 4: Introduction - Rose-Marie (Reprise) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rose-Marie, Act I Scene 4: Introduction - Rose-Marie (Reprise) by Rudolf Friml, Herbert Stothart, Catholic University of America A Cappella Choir, James R. Morris is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Csardasfurstin (The Gypsy Princess): Act II: Entr'akt | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
| Tulips from Amsterdam | Max Bygraves | E♭ Major | 1 | 5B | 84 BPM | ||
| Wearing Of The Green | Living Strings | A♭ Major | 2 | 4B | 78 BPM | ||
| Softly Softly | Ruby Murray | D Major | 2 | 10B | 127 BPM | ||
| Down Forget-Me-Not Lane | Flanagan & Allen | B♭ Major | 2 | 6B | 103 BPM | ||
| Dreamy December Oldies | Oldies Playing | B♭ Major | 1 | 6B | 65 BPM | ||
| Medley: This Is the Army, Mister Jones / I Left My Heart at the Stage Door Canteen / It's a Lovely Day Tomorrow / Kiss Me Goodnight, Sergeant-Major - 2016 Remaster | Vera Lynn | C Major | 3 | 8B | 118 BPM | ||
| Ev'ry Day of My Life | Malcolm Vaughan | F Major | 2 | 7B | 172 BPM | ||
| Little Old Lady | Hoagy Carmichael | E Major | 1 | 12B | 132 BPM | ||
| The Mikado: Act I: Three little maids from school (Yum-Yum, Peep-Bo, Pitti-Sing, Chorus of Girls) | Isidore Godfrey | C Major | 2 | 8B | 122 BPM | ||
| Life Is Just A Bowl Of Cherri - From "George White Scandals Of 1931" | Ethel Merman | E♭ Major | 3 | 5B | 179 BPM | ||
| Comin' in on a wing and a prayer | Anne Shelton | A♭ Major | 2 | 4B | 88 BPM | ||
| We'll Meet Again | Gus Kahn, Rudolf Friml, Herbert Stothart, Vera Lynn, Bert Ambrose Orchestra | D Major | 0 | 10B | 102 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| Melody in F, Op.3, No.1 - Arr. G. Saborow | Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | F Major | 2 | 7B | 85 BPM | ||
| Full Moon And Empty Arms | Jim Nabors | D Major | 4 | 10B | 94 BPM | ||
| To Each His Own - Restored 2024 | The Ink Spots | B♭ Major | 0 | 6B | 70 BPM | ||
| Lady Of Spain | Eddie Fisher | F Minor | 2 | 4A | 156 BPM | ||
| The Floral Dance | Peter Dawson | C Major | 3 | 8B | 99 BPM | ||
| The Stately Homes of England | Noel Coward | E♭ Major | 1 | 5B | 99 BPM | ||
| Rose-Marie, Act I Scene 1: Indian Love Call | Rudolf Friml, Debra Vanderlinde, Ron Raines, James R. Morris | A Major | 2 | 11B | 84 BPM | ||
| Lili Marlene (From "Seven Sinners") | Marlene Dietrich | E♭ Major | 1 | 5B | 84 BPM | ||
| Lili Marlene | Anne Shelton | E♭ Major | 1 | 5B | 84 BPM | ||
| The Last Time I Saw Paris | Anne Shelton | E♭ Major | 1 | 5B | 84 BPM | ||
| The Spitfire Song | Joe Loss & His Orchestra | D♭ Major | 3 | 3B | 134 BPM |