Rita MacNeil's 'She's Called Nova Scotia' had a release date set for January 1, 1993. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Working Man - The Best Of Rita Macneil by Rita MacNeil. The song's track number on the album is #18 out of 19 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, She's Called Nova Scotia is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since She's Called Nova Scotia by Rita MacNeil has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With She's Called Nova Scotia being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bring It To Me | Rita MacNeil | C Major | 4 | 8B | 163 BPM | ||
| Little Boy Blue | Lacy J. Dalton | B♭ Major | 2 | 6B | 101 BPM | ||
| It's Hard To Leave - Live | Judith Durham | A Major | 4 | 11B | 128 BPM | ||
| A Mother's Love's A Blessing | Brendan Quinn | B Major | 4 | 1B | 79 BPM | ||
| I've Never Been This Far Before | Carroll Baker | A Major | 3 | 11B | 121 BPM | ||
| Bury me beneath the Willow | Rachel Goode | D♭ Major | 6 | 3B | 95 BPM | ||
| Unfiltered Voice | The Spurneds | D♭ Major | 6 | 3B | 95 BPM | ||
| Here's to You My Ramblin' Boy | Frank McCaffrey | G Major | 2 | 9B | 133 BPM | ||
| Isle of Innisfree | Conor McGinty | D Major | 2 | 10B | 106 BPM | ||
| If Butterflies Could Talk | Jason R Martin | D Major | 6 | 10B | 108 BPM | ||
| The Rose | Kathy Durkin | D Major | 4 | 10B | 127 BPM | ||
| Cryin' Time | Ann Williamson | D Major | 4 | 10B | 110 BPM | ||
| Walk Right Back | Ann Breen | D Major | 3 | 10B | 76 BPM | ||
| Tears In My Eyes | The Outlaws | A♭ Major | 5 | 4B | 83 BPM | ||
| The Deadwood Stage | The Outlaws | D Major | 6 | 10B | 180 BPM | ||
| My Only Love | Raymond Froggatt | B Major | 10 | 1B | 156 BPM | ||
| Song for Ireland | The Celtic Tenors | A♭ Major | 3 | 4B | 113 BPM | ||
| Saved In The Arms | The Rankin Family | C Major | 2 | 8B | 103 BPM | ||
| From a Distance | The Three Amigos | D Major | 4 | 10B | 140 BPM | ||
| You Were Always on My Mind | Lena Martell | A Major | 2 | 11B | 75 BPM | ||
| Whispers of the Blessed | LUMII PAKEL | D♭ Major | 6 | 3B | 95 BPM | ||
| Nobody's Child | Frankie McBride | D Major | 5 | 10B | 109 BPM | ||
| Talk to Me While I'm Listening | Frances Black | A Major | 1 | 11B | 71 BPM | ||
| The Swallow | Brendan Bowyer | E Major | 3 | 12B | 105 BPM | ||
| Only Our Rivers Run Free | Onóir | D Major | 2 | 10B | 70 BPM |