"Crucifixion" by Kevin Penkin had its release date on September 27, 2017. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Crucifixion's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kevin Penkin's "MADE IN ABYSS ORIGINAL SOUNDTRACK" album is number 6 out of 52. On top of that, Japan appears to be the country where this track was created. The popularity of Crucifixion is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Crucifixion by Kevin Penkin to be Presto (very, very fast) because the track has a tempo of 184 BPM, a half-time of 92BPM, and a double-time of 368 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Girl with Curly Green Hair | Kevin Penkin | F Major | 2 | 7B | 115 BPM | ||
| PROXIMA - Instrumental version | Pretty Patterns | F Minor | 1 | 4A | 120 BPM | ||
| The Minutes Are Ticking Away | 高田龍一 | E Minor | 4 | 9A | 120 BPM | ||
| 桃色ガブリエル | Tomoki Hasegawa | E Minor | 2 | 9A | 140 BPM | ||
| 親愛なる想い | 光田康典, 土屋俊輔 | A♭ Major | 3 | 4B | 83 BPM | ||
| アクアトープ | Yoshiaki Dewa | E Minor | 0 | 9A | 115 BPM | ||
| Copied City | 帆足圭吾 | F Minor | 7 | 4A | 88 BPM | ||
| Of Noble Blood | Tomoki Miyoshi | E Minor | 1 | 9A | 108 BPM | ||
| Stella's Departure | Max LL | C Major | 0 | 8B | 69 BPM | ||
| OLD STORIES | Kevin Penkin | F♯ Minor | 6 | 11A | 95 BPM | ||
| 交差しない想い | 加藤慶久 | B♭ Major | 5 | 6B | 180 BPM | ||
| 孤高 | 藤澤慶昌 | C Major | 3 | 8B | 150 BPM | ||
| Blissful Death | 岡部啓一 | D Minor | 1 | 7A | 68 BPM | ||
| Swings and Roundabouts | Kevin Penkin | F Major | 3 | 7B | 130 BPM | ||
| Come Home Anytime | 神前 暁 | C Major | 0 | 8B | 127 BPM | ||
| Licht und Schatten | Yutaka Yamada | D Minor | 6 | 7A | 172 BPM | ||
| The Promised Neverland Main Theme (Battle Version) | 小畑貴裕 | A♭ Major | 6 | 4B | 140 BPM | ||
| Kanashige | Yasuharu Takanasha | C Minor | 3 | 5A | 112 BPM | ||
| The Ruins as They Were | Kotaro Nakagawa | A Major | 2 | 11B | 73 BPM | ||
| 光の中へ | 井内舞子 | C Minor | 1 | 5A | 97 BPM | ||
| Skies of Song | Ludvig Forssell, 中村佳穂 | E Minor | 1 | 9A | 113 BPM | ||
| ありがとう | Michiru | D Major | 2 | 10B | 0 BPM | ||
| Made in Abyss | Kevin Penkin | F♯ Minor | 3 | 11A | 97 BPM | ||
| 陽だまり猫に窓 | Junichi Matsumoto | D Major | 1 | 10B | 76 BPM | ||
| OUNI | Kevin Penkin | D♭ Minor | 2 | 12A | 91 BPM |