Rajé Shwari, Laxmikant–Pyarelal's 'Rote Rote Hansna Seekho' had a release date set for August 4, 1983. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Rote Rote Hansna Seekho's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 7 in Andhaa Kaanoon by Laxmikant–Pyarelal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Rote Rote Hansna Seekho is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Rote Rote Hansna Seekho by Rajé Shwari, Laxmikant–Pyarelal is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Salaam Seth Salaam Seth | Anu Malik | A Minor | 7 | 8A | 101 BPM | ||
| Hansta Hua Noorani | Laxmikant–Pyarelal, Alka Yagnik, Kavita Krishnamurthy | F♯ Minor | 9 | 11A | 187 BPM | ||
| Ba Hosh-O-Hawas | Mohammed Rafi, Laxmikant–Pyarelal | A Major | 5 | 11B | 152 BPM | ||
| Zindagi Mein Sada Muskurate Raho | Jagjit Singh | G Major | 5 | 9B | 115 BPM | ||
| Mere Chann Pardesi | Reshma | B Major | 6 | 1B | 126 BPM | ||
| Mere Alibaba | Sharada | A Major | 8 | 11B | 114 BPM | ||
| Ek Din Tum Bahut Bade Banoge | Hemlata, Shailendra Singh, Ravindra Jain | E Major | 3 | 12B | 174 BPM | ||
| Le Chal Mere Jeevan Saathi | Hemlata, Mukesh, Kalyanji-Anandji | D Minor | 3 | 7A | 130 BPM | ||
| Dono Ke Husn Mein | Nadeem Shravan, Kumar Sanu, Rajé Shwari | E Major | 7 | 12B | 106 BPM | ||
| Patthar Se Sheesha | Anand Kumar C. | B Major | 4 | 1B | 125 BPM | ||
| Teri Ankhon Ki Chahat Mein | Anwar Hussain | E Major | 4 | 12B | 153 BPM | ||
| Sohni Chenab De Kinare (Part I) - Sohni Mahiwal / Soundtrack Version | Anupama | C Minor | 7 | 5A | 146 BPM | ||
| Fakira Chal Chala Chal, Pt. 2 | Mahendra Kapoor | A Major | 5 | 11B | 99 BPM | ||
| Tum Jao Kahin | Lata Mangeshkar, Laxmikant–Pyarelal | G Minor | 5 | 6A | 157 BPM | ||
| Bolo Kuch Toh Bolo | Anu Malik, Shabbir Kumar | B Minor | 6 | 10A | 128 BPM | ||
| Kasam Kya Hoti Hai (Part-Iii) | Nitin Mukesh | D Major | 3 | 10B | 102 BPM | ||
| Woh Ladki Yaad Aati Hai | Pankaj Udhas, Mahalaxmi Iyer | B♭ Minor | 6 | 3A | 90 BPM | ||
| Kai Din Se Mujhe | Hemlata, Shailendra Singh, Ravindra Jain | G Minor | 5 | 6A | 72 BPM | ||
| Do Deewane Shaher Mein | Runa Laila, Bhupinder Singh, Gulzar | B♭ Major | 7 | 6B | 84 BPM | ||
| Khushi Ki Woh Raat Aa Gayi | Mukesh, Laxmikant–Pyarelal | G Major | 4 | 9B | 101 BPM | ||
| Kitni Hai Pyari Pyari - Sad Version | Shaan, Sagarika | G Major | 3 | 9B | 132 BPM | ||
| Kehna Na Tum Yeh Kisi Se | Salma Agha, Mohammed Aziz | F Minor | 7 | 4A | 134 BPM | ||
| Na Jane Kahan Tum The | Manna Dey, Suman Kalyanpur | E♭ Major | 6 | 5B | 136 BPM | ||
| Ek Machhar | Nana Patekar | G Major | 8 | 9B | 91 BPM | ||
| Aji Thahro Zara Dekho | Asha Bhosle, Aarti Mukherji, Amit Kumar, Shailendra Singh, Laxmikant–Pyarelal | A Minor | 6 | 8A | 92 BPM |