- BPM
- 169
- Key
- B♭ Major
- Camelot
- 6B
Variations & Fugue on a Theme by Telemann, Op. 134: Var. 18, Tempo primo by Max Reger, Marc-André Hamelin Song Details
Max Reger, Marc-André Hamelin's 'Variations & Fugue on a Theme by Telemann, Op. 134: Var. 18, Tempo primo' had a release date set for January 1, 1999. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 46 in the song's album "Reger: Piano Music - Bach Variations, Telemann Variations etc.". In this album, this song's track order is #40. Furthermore, we believe that the track originated from United Kingdom. The popularity of Variations & Fugue on a Theme by Telemann, Op. 134: Var. 18, Tempo primo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Variations & Fugue on a Theme by Telemann, Op. 134: Var. 18, Tempo primo by Max Reger, Marc-André Hamelin having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -21.701 dB
- Acousticness
- 99%
- Danceability
- 38%
- Energy
- 19%
- Instrumentalness
- 86%
- Liveness
- 10%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 39%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | E Minor | 1 | 9A | 81 BPM | |
 | Vier ernste Gesänge: O Tod, wie bitter bist du, Op. 121/3 | Johannes Brahms, Max Reger, Igor Levit | E Major | 0 | 12B | 67 BPM | |
 | 14 Romances, Op. 34: No. 14, Vocalise (Arr. for Cello & Piano by Meredith Blecha-Wells & Sun Min Kim) | Sergei Rachmaninoff, Meredith Blecha-Wells, Sun Min Kim | E Major | 1 | 12B | 123 BPM | |
 | 3 Compositions, Op. 40: Berceuse (Version for cello and piano) | Amy Beach, Steven Isserlis, Stephen Hough | D Major | 0 | 10B | 72 BPM | |
 | Handel: Serse, HWV 40, Act 1: Largo. "Ombra mai fu" (Serse) | George Frideric Handel, Jakub Józef Orliński, Michał Biel | A♭ Major | 1 | 4B | 93 BPM | |
 | Sicilienne in E-Flat Major (Arr. T. Miteva for Cello & Chamber Orchestra) | Maria Theresia von Paradis, Teodora Miteva, World Chamber Orchestra | F Minor | 0 | 4A | 122 BPM | |
 | Franck / Transc. Bauer: Prélude, Fugue et Variation Op. 18, CFF 30B (transcr. H. Bauer) – II. Lento + III. Fugue (Allegretto ma non troppo) | César Franck, Mariam Batsashvili | B♭ Minor | 1 | 3A | 100 BPM | |
 | To Be Sung Of A Summer Night On The Water | Frederick Delius, Handel and Haydn Society, Grant Llewellyn | B♭ Major | 0 | 6B | 76 BPM | |
 | Harpsichord Sonata No. 73: Allegro in D Major (arr. for Harp) | Antonio Soler, Godelieve Schrama | A Major | 1 | 11B | 94 BPM | |
 | Piano Trio in G Minor, Op. 17: II. Scherzo. Tempo di Menuetto | Clara Schumann, Ragna Schirmer, Iason Keramidis, Benedict Kloeckner | E♭ Major | 0 | 5B | 83 BPM | |
 | Piano Trio in B-Flat Major, Op. 36 No. 3, Hob. XV:20: II. Andante cantabile | Joseph Haydn, Stefan Tarara, Eun-Sun Hong, Josu De Solaun | A Major | 3 | 11B | 152 BPM | |
 | Sonatine, D. 968: 2. Andante | Franz Schubert, Daejin Kim, Chloe Mun | D Minor | 0 | 7A | 65 BPM | |
 | Consolations, S. 172: No. 2 in E Major. Un poco più mosso | Franz Liszt, Leif Ove Andsnes | B Major | 0 | 1B | 131 BPM | |
 | Requiem, Op. 9: III. Domine Jesu Christe | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Christophe Gautier, Henri Chalet | D Major | 0 | 10B | 67 BPM | |
 | Onpa taivaassa tarjona lapsillekin | Fredrik Engelke, SRK Instrumentaali, Aaron Ahola | F♯ Major | 0 | 2B | 182 BPM | |
 | Welcome to all the Pleasures, Z. 339: I. Overture | Henry Purcell, The Deller Consort, Alfred Deller | E Minor | 1 | 9A | 82 BPM | |
 | Liebeslied, S. 566 (After Schumann's Op. 25 No. 1) | Franz Liszt, Kasparas Uinskas | A♭ Major | 1 | 4B | 69 BPM | |
 | Holberg Suite, Op. 40 (Version for Piano): II. Sarabande. Andante | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | |
 | Piano Quintet in B Minor, Op. 74: II. Larghetto | Ferdinand Ries, Klavierquintett Wien | C Minor | 4 | 5A | 136 BPM | |
 | 5 Lieder, Op. 49: No. 4, Wiegenlied "Guten Abend, gut Nacht" (Transcr. Gottwald for Choir) | Johannes Brahms, Kammerchor Stuttgart, Frieder Bernius | F Major | 1 | 7B | 104 BPM | |
 | Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | |
 | 5 Salonstücke, Op. 28: No. 4, Romanze (Arr. Isserlis for Cello & Piano) | Ferdinand David, Steven Isserlis, Connie Shih | A♭ Major | 1 | 4B | 93 BPM | |
 | Lied in F Minor | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | F Minor | 0 | 4A | 131 BPM | |
 | Chromatische Fantasie und Fuge: I. Fantasia. Vivacissimo | Johann Sebastian Bach, Max Reger, Jörg Halubek | A♭ Major | 1 | 4B | 93 BPM | |
 | Crucifixus | Antonio Lotti, Jugendchor Osnabrück, Johannes Rahe | D♭ Minor | 0 | 12A | 76 BPM |
- ISRC
- GBAJY9899640
- Label
- L-M Records/RCA Records