Three Variations on La Folia: III. Ahmad by Alexandre Grogg, Stéphane Tétreault, Valérie Milot, Bernard Riche Song Details

Alexandre Grogg, Stéphane Tétreault, Valérie Milot, Bernard Riche's ' "Three Variations on La Folia: III. Ahmad" was released on its scheduled release date, May 6, 2022. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Transfiguration". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Canada. Three Variations on La Folia: III. Ahmad is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

With Three Variations on La Folia: III. Ahmad by Alexandre Grogg, Stéphane Tétreault, Valérie Milot, Bernard Riche having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 5%
Loudness: -14.897 dB
Acousticness: 89%
Danceability: 52%
Energy: 41%
Instrumentalness: 86%
Liveness: 15%
Loudness: 75%
Speechiness: 5%
Valence: 61%

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