M. S. Subbulakshmi, Radha Viswanathan's ' "Biraana Brova" was released on its scheduled release date, September 16, 2000. This song appears to be safe for all ages as it is not explicit. The track order of this song in Various Artists's "M.S. Subbalakshmi Nada Suda Rasa,Vol. 2" album is number 2 out of 16. In terms of popularity, Biraana Brova is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Biraana Brova by M. S. Subbulakshmi, Radha Viswanathan to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pogadirelo Ranga | Purandara Dasara Bhakta Bandugalu | D♭ Major | 8 | 3B | 115 BPM | ||
| Ksheerabdhikanyakaku (Raga Kuranji) - M S Subbulakshmi | M. S. Subbulakshmi, Radha Viswanathan | C Major | 4 | 8B | 146 BPM | ||
| Shri Hari Stotram | Play Devotional | C Major | 1 | 8B | 136 BPM | ||
| Kaala Bairavashtakam | Sudula Bandhavi, T Hari | F♯ Major | 9 | 2B | 142 BPM | ||
| Mahalakshmi Aarti Marathi | Sayali Mahadik | F Minor | 5 | 4A | 190 BPM | ||
| Muddugare Yasodha | G Balakrishna Prasad | C Major | 5 | 8B | 140 BPM | ||
| Evale Veena Paani | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, Soumya | F Minor | 3 | 4A | 99 BPM | ||
| Harivarasanam | K. J. Yesudas | F Major | 3 | 7B | 75 BPM | ||
| Aigiri Nandini | Bombay Jayashri | B♭ Minor | 6 | 3A | 130 BPM | ||
| Purush Sukta | Ved Vrind | B♭ Major | 3 | 6B | 131 BPM | ||
| Argala Stotram | Susmirata Dawalkar | F Major | 1 | 7B | 112 BPM | ||
| Sri Narasimha Kavacham | Malola Kannan | D♭ Major | 4 | 3B | 129 BPM | ||
| Bhagyada Lakshmi Baramma | Purandara Dasara Bhakta Bandugalu | G Major | 7 | 9B | 145 BPM | ||
| Naam Japan Kyun Chhod Diya | Khallas (Sikh Tradition), M. S. Subbulakshmi | F Minor | 5 | 4A | 80 BPM | ||
| Sudarsana Astakam | Malola Kannan | D Major | 5 | 10B | 96 BPM | ||
| Rama Jogi - Kamas - Adi | Semmangudi Srinivasa Iyer, M. S. Subbulakshmi, K.S.Narayanaswamy | F♯ Minor | 2 | 11A | 133 BPM | ||
| Seetha Kalyana Vaibogamey | Maharajapuram Santhanam | D♭ Minor | 6 | 12A | 156 BPM | ||
| Vishamakkarakannan | Aruna Sairam | B♭ Major | 8 | 6B | 123 BPM | ||
| Narayanathe Namo Namo | G Balakrishna Prasad | E Major | 6 | 12B | 82 BPM | ||
| Yentha Srimantha | Vijay Krishna. D | D♭ Major | 9 | 3B | 100 BPM | ||
| Bhavayami | Participants Of South India Female Choir | F Major | 6 | 7B | 148 BPM | ||
| Ambiga Naa Ninna Nambide | Narasimha Naik | G Major | 7 | 9B | 82 BPM | ||
| Sudarshana Ashtakam | Dr. R. Thiagarajan | A Minor | 6 | 8A | 129 BPM | ||
| Madhukara Vrutthi | Sri Vidyabhushana | G Major | 3 | 9B | 183 BPM | ||
| Shri Ganeshaya Dheemahi | Sivasri Skandaprasad | D♭ Major | 5 | 3B | 140 BPM |