"Rigoletto, Act I: Riedo!...perché? - Live in Rome, 1966" by Giuseppe Verdi, Kostas Paskalis, Enzo Guagni, Giovanni Ciavola, Arturo La Porta, Orchestra Del Teatro Dell'Opera Di Roma, Carlo Maria Giulini had its release date on January 1, 2010. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Rigoletto, Act I: Riedo!...perché? - Live in Rome, 1966's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Pavarotti – The Opera Collection 2: Verdi: Rigoletto (Live in Rome, 1966)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Rigoletto, Act I: Riedo!...perché? - Live in Rome, 1966 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rigoletto, Act I: Riedo!...perché? - Live in Rome, 1966 by Giuseppe Verdi, Kostas Paskalis, Enzo Guagni, Giovanni Ciavola, Arturo La Porta, Orchestra Del Teatro Dell'Opera Di Roma, Carlo Maria Giulini having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
| Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B Minor | 9 | 10A | 180 BPM | ||
| Il Trovatore / Act 2: "Il balen del suo sorriso...Qual suono! o ciel!" | Giuseppe Verdi, Ingvar Wixell, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 94 BPM | ||
| Rigoletto / Act 2: Scena ed Aria. "Povero Rigoletto!" "La rà, la rà" | Giuseppe Verdi, Josephte Clement, Christian Du Plessis, Sherrill Milnes, John Gibbs, Riccardo Cassinelli, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E Minor | 2 | 9A | 110 BPM | ||
| Verdi: Messa da Requiem: VIII. Rex tremendæ | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Daniela Barcellona, Eric Ericson Chamber Choir, Julian Konstantinov, Orfeon Donostiarra, Roberto Alagna, Swedish Radio Choir, Berliner Philharmoniker | C Minor | 3 | 5A | 82 BPM | ||
| Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 1 | 11B | 67 BPM | ||
| La Bohème / Act I: "Quando Me'n Vò" | Giacomo Puccini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Minor | 2 | 11A | 135 BPM | ||
| Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | ||
| La Traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 2 | 3B | 88 BPM | ||
| Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Daniel Barenboim, Cecilia Bartoli, Berliner Philharmoniker | B♭ Major | 2 | 6B | 110 BPM | ||
| Tosca / Act 2: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Mirella Freni, Sherrill Milnes, National Philharmonic Orchestra, Nicola Rescigno | A♭ Major | 1 | 4B | 84 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in G Minor. Allegro (Orch. Schmeling) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 145 BPM | ||
| Кармен, Act II: "Votre toast je peux vous le rendre" (Эскамильо, Фраскита, Мерседес, Кармен) | Жорж Бизе, Государственный академический камерный оркестр России, Константин Орбелян, Dmitri Hvorostovsky, Марнье Брекенридж, Виктория Смирнова, Анастасия Чикаева | B♭ Major | 3 | 6B | 175 BPM | ||
| La bohème, Act I: Questo mar rosso | Giacomo Puccini, Rolando Panerai, Luciano Pavarotti, Nicolai Ghiaurov, Berliner Philharmoniker, Herbert von Karajan | C Major | 9 | 8B | 124 BPM | ||
| Cavalleria rusticana: "O lola ch'ai di latti la cammisa" (Siciliana) | Pietro Mascagni, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 0 | 4A | 167 BPM | ||
| Giulio Cesare, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 65 BPM | ||
| Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
| Die Zauberflöte, K. 620: Overture | Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Claudio Abbado | E♭ Major | 1 | 5B | 85 BPM | ||
| Granada | Agustín Lara, Luciano Pavarotti, Royal Philharmonic Orchestra, Maurizio Benini | E♭ Major | 4 | 5B | 98 BPM | ||
| Il Trovatore / Act 4: "Prima che d'altri vivere" | Giuseppe Verdi, Joan Sutherland, Luciano Pavarotti, Ingvar Wixell, Marilyn Horne, National Philharmonic Orchestra, Richard Bonynge | B♭ Minor | 4 | 3A | 90 BPM | ||
| Bellini: Norma: Sinfonia | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 1 | 9B | 141 BPM | ||
| Donizetti: La fille du régiment, Act 1: "Ah ! Mes amis, quel jour de fête!" - "Pour mon âme" (Tonio, Chœur) | Gaetano Donizetti, Michael Spyres, Choeur de l'Opéra national du Rhin, Marko Letonja, Orchestre Philharmonique De Strasbourg | E♭ Major | 0 | 5B | 81 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 1 in G Minor. Allegro molto (Version for Orchestra) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | ||
| Carmen, Act I: No.5 Habanera : L'amour est un oiseau rebelle (Carmen/Cigarières/Jeunes gens/Dragons) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D Major | 1 | 10B | 124 BPM | ||
| Macbeth: Preludio | Giuseppe Verdi, Giuseppe Altomare, Olha Zhuravel, Pavel Kudinov, Rubens Pelizzari, Marco Voleri, Luca Dall'Amico, William Corro, Andrea Pistolesi, Coro Lirico Marchigiano 'V. Bellini', Marchigiana Philharmonic Orchestra, Daniele Callegari | B♭ Minor | 0 | 3A | 116 BPM |