"In The Clear" by Marc Blitzstein, Dawn Upshaw had its release date on July 29, 1994. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. In The Clear's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Dawn Upshaw's "I Wish It So" album is number 12 out of 14. On top of that, United States appears to be the country where this track was created. In terms of popularity, In The Clear is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In The Clear by Marc Blitzstein, Dawn Upshaw to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Emily — No Prisoner Be: No. 11, A little Snow | Kevin Puts, Time For Three, Joyce DiDonato | C Major | 2 | 8B | 93 BPM | ||
| What's The Use Of Wond'rin' | Barbara Ruick, Shirley Jones | C Major | 2 | 8B | 88 BPM | ||
| Metaphor | Kenneth Nelson, Rita Gardner | G Major | 3 | 9B | 80 BPM | ||
| My Fair Lady, Act I Scene 4: How'd Ya Like That? | Frederick Loewe, Annie Wensak, Leo Roberts, Alun Armstrong | D♭ Major | 2 | 3B | 50 BPM | ||
| 2. Iolanthe! From thy dark exile | Arthur Sullivan, Jennifer Toye, Pauline Wales, Gillian Knight, Yvonne Newman, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 1 | 12B | 140 BPM | ||
| Evening | Kevin Puts, Renée Fleming, Yannick Nézet-Séguin | E♭ Minor | 0 | 2A | 84 BPM | ||
| Ouvre ton coeur - Bolero | Georges Bizet, Cecilia Bartoli, Myung-Whun Chung | E♭ Major | 1 | 5B | 124 BPM | ||
| Fable | Victoria Clark, Adam Guettel | E♭ Minor | 2 | 2A | 70 BPM | ||
| Prologue: Beautiful Girls | Arnold Moss, Michael Bartlett, Follies | D♭ Major | 1 | 3B | 123 BPM | ||
| Art is Calling for Me | Molly Watson | E♭ Major | 1 | 5B | 108 BPM | ||
| My Fair Lady: I Could Have Danced All Night (Piano Reduction) - Live at Metropolitan Opera, New York, 2023 | Frederick Loewe, Lise Davidsen, James Baillieu | C Major | 2 | 8B | 93 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
| Sea Pictures, Op. 37: No. 2, In Haven (Capri) | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Major | 1 | 8B | 86 BPM | ||
| Songs of Travel: In Dreams | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | D♭ Major | 1 | 3B | 66 BPM | ||
| Live Alone and Like It - Live | Clive Rowe | G Minor | 3 | 6A | 76 BPM | ||
| Mama, It's Me | Brent Carver | G Major | 1 | 9B | 84 BPM | ||
| The World Goes 'Round | Brenda Pressley | B Minor | 1 | 10A | 105 BPM | ||
| For he's gone and married Yum-Yum | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Colin Wright, John Reed, Kenneth Sandford, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 4 | 5B | 112 BPM | ||
| Romberg: The Student Prince, Act 1: Drinking Song. "Drink to Eyes That Are Bright as Stars" (Karl Franz, Chorus) | José Carreras | B♭ Major | 3 | 6B | 95 BPM | ||
| Regina / Act 3: Regina's Aria | Marc Blitzstein, Katherine Ciesinski, Angelina Reaux, Theresa Merritt, David Kübler, Bruce Hubbard, Samuel Ramey, Scottish Opera Orchestra, John Mauceri | B♭ Major | 1 | 6B | 99 BPM | ||
| The Airborne Symphony: Part I: Ballad of History and Mythology | Marc Blitzstein, Leonard Bernstein, New York City Symphony Orchestra, Charles Holland, Walter Scheff, RCA Victor Chorale, Robert Shaw | G Major | 3 | 9B | 95 BPM | ||
| Requiem, Op. 48: VI. Libera Me | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra, James Morris | G Minor | 1 | 6A | 69 BPM | ||
| Simple | Maury Yeston, Jane Krakowski, Laura Benanti | B♭ Major | 1 | 6B | 77 BPM | ||
| Faure: Claire de Lune | Gérard Souzay | B♭ Minor | 1 | 3A | 71 BPM |