"Moonlight Serenade - Instrumental" by Charlie Haden Quartet West had its release date on January 1, 1992. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Charlie Haden Quartet West's "Haunted Heart" album is number 6 out of 12. On top of that, France appears to be the country where this track was created. In terms of popularity, Moonlight Serenade - Instrumental is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Moonlight Serenade - Instrumental by Charlie Haden Quartet West to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Velvet Metro Glow | Amber Jazz Trio | B♭ Major | 2 | 6B | 97 BPM | ||
| Let's Call It A Day | Charlie Haden Quartet West, Ruth Cameron | C Major | 3 | 8B | 114 BPM | ||
| Fly Me to the Moon | Sarah McKenzie | A♭ Major | 6 | 4B | 80 BPM | ||
| Cedar | Julian Harrow Trio | B♭ Major | 2 | 6B | 97 BPM | ||
| This Is Always | Roberta Gambarini | E♭ Minor | 1 | 2A | 180 BPM | ||
| Hours Of Ours | Sinne Eeg, Lars Jansson, Morten Lund, Mads Vinding | B♭ Major | 3 | 6B | 169 BPM | ||
| Où Es Tu Mon Amour | Charlie Haden Quartet West | A Minor | 3 | 8A | 83 BPM | ||
| Song to Comfort | Marie Mørck | F Major | 1 | 7B | 118 BPM | ||
| Chill | Joshua Redman Quartet | A♭ Major | 2 | 4B | 118 BPM | ||
| Celestial Drift | The Half Light Ensemble | E♭ Minor | 2 | 2A | 186 BPM | ||
| I'm Through With Love | Lorez Alexandria | B♭ Major | 1 | 6B | 165 BPM | ||
| The Shape of Waiting | Back Room Trio | B♭ Major | 2 | 6B | 97 BPM | ||
| Sonido Puro | AD SOUND | B♭ Major | 2 | 6B | 97 BPM | ||
| Solitude Hidden Track | Amanda Finn | E♭ Major | 3 | 5B | 94 BPM | ||
| In A Sentimental Mood | Cæcilie Norby | F Minor | 3 | 4A | 142 BPM | ||
| Carolyn | Terell Stafford | F Minor | 1 | 4A | 118 BPM | ||
| Calling You | Cæcilie Norby | F Minor | 1 | 4A | 116 BPM | ||
| Don't Be Something You Ain't | Erin Boheme | A Minor | 2 | 8A | 113 BPM | ||
| No Sky Tonight | Noiracle | E♭ Minor | 1 | 2A | 113 BPM | ||
| I'll Be Seeing You | Ellen Andersson | D♭ Major | 3 | 3B | 115 BPM | ||
| Michelle | Wallace Roney | E Minor | 2 | 9A | 73 BPM | ||
| Let It Be That Way | Millford Street Trio | C Major | 1 | 8B | 66 BPM | ||
| Dreaming Wide Awake | Lizz Wright | A Major | 1 | 11B | 77 BPM | ||
| Black Trombone | Térez Montcalm | B Minor | 3 | 10A | 97 BPM | ||
| Washington Square Park | Jim Pearce | C Minor | 2 | 5A | 68 BPM |