"Guns Make Us Murderers" by Jonah Parzen-Johnson had its release date on July 7, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jonah Parzen-Johnson's "I Try to Remember Where I Come From" album is number 3 out of 7. On top of that, Portugal appears to be the country where this track was created. Guns Make Us Murderers is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Guns Make Us Murderers by Jonah Parzen-Johnson to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jazz for Drowned Cities | Arve Henriksen, Eivind Aarset, Terje Isungset | D♭ Minor | 0 | 12A | 70 BPM | ||
| The Titles | Jim White | C Major | 4 | 8B | 106 BPM | ||
| Sea Lily | Joachim Badenhorst | G Major | 1 | 9B | 80 BPM | ||
| Future Nature | Arp | E♭ Major | 2 | 5B | 81 BPM | ||
| Royalties | Steph Richards, Qasim Naqvi | D♭ Major | 5 | 3B | 63 BPM | ||
| Dissonant Sway Away | Joachim Badenhorst | G Major | 1 | 9B | 80 BPM | ||
| Find the Feeling | Jonah Parzen-Johnson | G Minor | 4 | 6A | 100 BPM | ||
| Cabra | Adrian Crowley, Matthew Nolan | F Major | 2 | 7B | 116 BPM | ||
| Haunt | Mike Majkowski | D♭ Major | 4 | 3B | 192 BPM | ||
| Stay There, I'll Come to You | Jonah Parzen-Johnson | D♭ Major | 1 | 3B | 122 BPM | ||
| Tista lengter | Joe Harvey-Whyte, Geir Sundstøl, Jo Berger Myhre | A♭ Major | 3 | 4B | 125 BPM | ||
| Letters in the Sand | Arve Henriksen, Eivind Aarset, Terje Isungset | G Major | 3 | 9B | 66 BPM | ||
| 10,000 Rivers (Jobs) | Robert Stillman | A♭ Major | 3 | 4B | 125 BPM | ||
| Soundwaves & Silhouettes | Arve Henriksen, Eivind Aarset, Terje Isungset | A♭ Major | 1 | 4B | 68 BPM | ||
| Sanctification | Arve Henriksen, Robert Jürjendal | G Major | 3 | 9B | 91 BPM | ||
| burn the throne | Tashi Dorji | A♭ Major | 3 | 4B | 125 BPM | ||
| Drifting Away | David Allred | E Major | 0 | 12B | 114 BPM | ||
| Labyrinth | Peder, Jenno | B♭ Minor | 2 | 3A | 86 BPM | ||
| String Trio | TLF Trio | C Major | 0 | 8B | 104 BPM | ||
| Cloudy | Jim White | C Major | 4 | 8B | 106 BPM | ||
| Sauna motif I | Lau Nau, Sontag Shogun | A Minor | 3 | 8A | 84 BPM | ||
| Jeu de Plomb | Seán Mac Erlaine, Caoimhín Ó Raghallaigh | E♭ Major | 2 | 5B | 127 BPM | ||
| Égérie (Version for Flute and String Quintet) | JB Dunckel, Shuichi Okada, Cécile Tête, Grégoire Vecchioni, Cyrille Lacrouts, Wei-Yu Chang, Marie Laforge | A♭ Major | 3 | 4B | 125 BPM | ||
| Flight Attendant | Jonah Parzen-Johnson, Lau Nau | F Minor | 3 | 4A | 102 BPM | ||
| Reverse Earth | IE | G Minor | 3 | 6A | 130 BPM |