On April 15, 1989, the song "Overture (Suite) In A Minor, TWV 55:a2: V. Rejouissance" was released by Jiří Stivín, Capella Istropolitana, Georg Philipp Telemann. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Telemann: Recorder Suite In A Minor/Viola Concerto/Tafelmusik". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Overture (Suite) In A Minor, TWV 55:a2: V. Rejouissance's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Overture (Suite) In A Minor, TWV 55:a2: V. Rejouissance by Jiří Stivín, Capella Istropolitana, Georg Philipp Telemann having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trio Sonata in A Minor, TWV 42:a4: IV. Allegro | Georg Philipp Telemann, Lucie Horsch, Rachel Podger, Albert Brüggen, Tom Foster | B Major | 1 | 1B | 122 BPM | ||
| 12 Concerti grossi, Op.6 - Concerto grosso in G minor, Op. 6, No. 6: 5. Allegro | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | A Major | 1 | 11B | 146 BPM | ||
| Oboe Concerto in B Flat Major, Op. 7 No. 3: II. Adagio | London Harpsichord Ensemble, Sarah Francis | G Minor | 2 | 6A | 72 BPM | ||
| Concerto Armonico No. 6 in E-Flat Major: Vivace | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 126 BPM | ||
| Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade | Claudio Monteverdi, Alfred Deller, Deller Consort | F Minor | 3 | 4A | 92 BPM | ||
| Concerto a 5 in G Major, Op. 9, No. 6: I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | G Major | 4 | 9B | 112 BPM | ||
| Concerto No 1 in G major - Presto - Adagio | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Major | 2 | 2B | 92 BPM | ||
| Sonata in A Major, No. 6: V. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 2 | 4B | 71 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 6 : V. Allegro | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 1 | 7B | 152 BPM | ||
| Symphony No. 5 in C Major: II. Andante | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Minor | 1 | 8A | 159 BPM | ||
| 12 Sonate melodiche, G major, TWV41: G 4: II. Vivace | Han De Vries, Wouter Moeller | F♯ Major | 3 | 2B | 99 BPM | ||
| Concerto In C Minor for Alto Recorder & Strings, P 440: Largo | Thierry Perenoud, The Baroque Soloists Of Amsterdam | E Minor | 0 | 9A | 130 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:H1: II. Largo | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | F Minor | 0 | 4A | 81 BPM | ||
| Sonata for flute and basso continuo in A Major: I. Adagio | Johann Friedrich Agricola, Emmanuel Pahud | A Major | 1 | 11B | 113 BPM | ||
| Konzert für Oboe Nr. 3 g-Moll, HWV 287: IV. Allegro | George Frideric Handel, Marcel Ponseele, Il Gardellino | D♭ Minor | 2 | 12A | 118 BPM | ||
| Symphony in C Minor, J-C 9: II. Affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Concerto for Recorder and Flute in E Minor, TWV 52:E1: II. Allegro | Georg Philipp Telemann, Gunther Holler, Konrad Hunteler, Cappella Coloniensis, Georg Fischer | F♯ Major | 2 | 2B | 116 BPM | ||
| Symphony in A Major, Op. 1, No. 3 (Callen 3): III. Presto | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | A Major | 0 | 11B | 105 BPM | ||
| Dissertazioni sopra l´opera quinta del Corelli, VIolin Sonata No. 1 in D Major: II. Allegro | Francesco Maria Veracini, John Holloway, Jaap Ter Linden, Lars Ulrik Mortensen | F Minor | 1 | 4A | 81 BPM | ||
| Concerto in G Major for Oboe, Strings and Basso continuo: II. Adagio | Giovanni Benedetto Platti, Frans Brüggen, Bruce Haynes, L'arpa Festante | B Major | 1 | 1B | 103 BPM | ||
| Concerto a cinque No. 3, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 3 | 11B | 120 BPM | ||
| Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Amandine Beyer, Gli Incogniti | B Minor | 3 | 10A | 118 BPM | ||
| Concerto 4 in F Major, Op. 7: III. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 3 | 12B | 100 BPM | ||
| Symphony in G Major, Eisen G17: II. Andante | Leopold Mozart, New Zealand Chamber Orchestra, Donald Armstrong | B♭ Major | 1 | 6B | 173 BPM | ||
| Concerto grosso No. 1 in A Major: I. Adagio (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 81 BPM |