Attributed to James Lucas, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Craig Jessop's 'Come, Let Us Anew' had a release date set for March 9, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Peace Like a River". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. Based on our statistics, Come, Let Us Anew's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Come, Let Us Anew by Attributed to James Lucas, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Craig Jessop having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| He Hears Me | Hilary Weeks | F♯ Major | 3 | 2B | 147 BPM | ||
| We Remember Them | Susan LaBarr, Asriel Davis, The Aeolians, Jason Max Ferdinand | G Major | 2 | 9B | 98 BPM | ||
| My Kindness Shall Not Depart From Thee | Dallyn Vail Bayles | D Major | 2 | 10B | 74 BPM | ||
| In Song: III. In Song | Laura Hawley, Canadian Chamber Choir, Julia Davids | A Major | 6 | 11B | 88 BPM | ||
| The Spirit of God | Voice Male | F Major | 2 | 7B | 109 BPM | ||
| This Is the Christ | Calee Reed | G Minor | 2 | 6A | 73 BPM | ||
| Peter's Denial | Rob Gardner, London Symphony Orchestra, Spire Chorus | G Major | 3 | 9B | 83 BPM | ||
| My Shepherd Will Supply My Need | Roger Hoffman, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Craig Jessop | E♭ Minor | 4 | 2A | 116 BPM | ||
| The Servant Song | Richard Gillard, Betty C. Pulkingham | E♭ Major | 3 | 5B | 92 BPM | ||
| Sing and Rejoice | The International Staff Songsters of the Salvation Army | C Major | 3 | 8B | 161 BPM | ||
| Fill My Soul | Rob Gardner, Spire Chorus & London Symphony Orchestra | A♭ Major | 1 | 4B | 74 BPM | ||
| Behold the Great Redeemer Die - Voice | George Careless, Alexander Schreiner, Frank Asper, The Tabernacle Choir at Temple Square, Richard P. Condie | D♭ Major | 1 | 3B | 77 BPM | ||
| Now We'll Sing With One Accord | Joseph J Daynes, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Mack Wilberg | B♭ Major | 2 | 6B | 127 BPM | ||
| Eternal Home | Christopher Enloe, Dan Forrest, Craig Courtney, Beckenhorst Singers | D♭ Major | 3 | 3B | 86 BPM | ||
| All, Like Mount Zion, Unmoved Shall Endure (Psalm 125) | Crown & Covenant | F Major | 1 | 7B | 110 BPM | ||
| Hymn - Guide Me, O Thou Great Redeemer (Cwm Rhondda) | William Williams, Peter Williams, John Hughes, James O'Donnell, The Choir Of Westminster Abbey, The Choir of Her Majesty's Chapel Royal, St James's Palace, Doctor Andrew Grant, Robert Quinney | G Major | 3 | 9B | 78 BPM | ||
| Joseph Smith's First Prayer | Daniel Beck | D Major | 2 | 10B | 71 BPM | ||
| Let Us Go to the Mount | Sumphonia | D Major | 2 | 10B | 78 BPM | ||
| Hosanna (Thy Savior Hath Come) | Rob Gardner, Spire Chorus & London Symphony Orchestra | E♭ Major | 2 | 5B | 72 BPM | ||
| Songs of Joy | The International Staff Songsters of the Salvation Army | C Major | 2 | 8B | 125 BPM | ||
| Our Savior’s Love | Voice Male | D Major | 2 | 10B | 173 BPM | ||
| St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
| I Walked Today Where Jesus Walked | Millennial Choirs & Orchestras, Brett Stewart, Brandon Stewart, Cory Mendenhall, Brent Wells, Joni Jensen | C Minor | 1 | 5A | 71 BPM | ||
| Take Time to Be Holy (Arr. J. Longhurst) | Traditional, Craig Jessop, The Tabernacle Choir at Temple Square, Orchestra at Temple Square | E Major | 1 | 12B | 118 BPM | ||
| The Spirit of God | The Tabernacle Choir at Temple Square | E Major | 2 | 12B | 122 BPM |