Mylai S. Rajendran & Party's ' "Gowri Kalyanam" was released on its scheduled release date, October 1, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mylai S. Rajendran & Party's "Mangala Vadhyam" album is number 4 out of 14. On top of that, India appears to be the country where this track was created. In terms of popularity, Gowri Kalyanam is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Gowri Kalyanam by Mylai S. Rajendran & Party to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Smariso Sarvada | Malladi Brothers | C Major | 7 | 8B | 166 BPM | ||
| Shanivaara Banthamma | Puttur Narasimha Nayak, B. R. Chaya, K.S. Surekha, R. Shamitha | A Major | 5 | 11B | 122 BPM | ||
| Sinathavar | Baladesikan | F Major | 7 | 7B | 156 BPM | ||
| Sarasasamadhana | N. Ramani | E♭ Major | 6 | 5B | 137 BPM | ||
| Ambike Jagadambike | Vidyabhushana | D Major | 4 | 10B | 180 BPM | ||
| Ennai Nee | Ananda Kumar | E♭ Major | 9 | 5B | 102 BPM | ||
| Marugelara | S. Sowmya | G Minor | 4 | 6A | 83 BPM | ||
| Khseerabdhi Kanyakaku | Shobha Raju | G Major | 2 | 9B | 150 BPM | ||
| Hoova Tanniri Devige | Puttur Narasimha Nayak, B. R. Chaya, K.S. Surekha, Alanklar | F Minor | 4 | 4A | 176 BPM | ||
| Anthayu Neeve (Instrumental) | Peri Thyagaraju | B Minor | 9 | 10A | 128 BPM | ||
| Mandala Madam | Pushpavanam Kuppusamy | E♭ Minor | 5 | 2A | 95 BPM | ||
| Pitha Pirai soodi | SIVA DAMODHARAN AYYA | C Major | 6 | 8B | 130 BPM | ||
| Maari Malai Muzhainji | V2S2, RAGAMALIKATV | A♭ Major | 2 | 4B | 89 BPM | ||
| Srinivasa: Hamsanandi - Papanasam Sivan | Papanasam Sivan, N. Ramani | B Major | 1 | 1B | 121 BPM | ||
| Annapoorne - Ragam - Sama, Thalam - Adi | Mambalam M.K.S. Siva | E♭ Major | 9 | 5B | 144 BPM | ||
| Ulaga Pasu Paasa Sontham | Thevaara Isai Mani Ka. Venkatesan | D Minor | 5 | 7A | 114 BPM | ||
| Kunkumam | Bombay Saradha | B Minor | 7 | 10A | 122 BPM | ||
| Moosina Muthyaala Keli | G. Balakrishna Prasad | C Major | 5 | 8B | 128 BPM | ||
| Alarshara Parithapam - Suruti - Misra Chapu | N. J. Nandini | D♭ Major | 4 | 3B | 159 BPM | ||
| Maranave Mahanavami | Chennaveera Gavayi | A Major | 6 | 11B | 106 BPM | ||
| Thaye Yesoda - Maharajapuram Santhanam | Maharajapuram Santhanam | C Major | 4 | 8B | 81 BPM | ||
| Lakshmi Raavemaintiki | Mambalam Sisters | D♭ Major | 8 | 3B | 147 BPM | ||
| Seetha Kalyana | Kodhanda Raman | E♭ Major | 9 | 5B | 156 BPM | ||
| Ennaal Pirakkavum - Thiruppugazh | Pa. Sargurunathan | A♭ Minor | 7 | 1A | 155 BPM | ||
| Kaligenidhe Naaku | Priya Sisters | A♭ Minor | 4 | 1A | 95 BPM |