Astor Piazzolla's 'Tanguedia III' had a release date set for September 13, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Tango: Zero Hour". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Tanguedia III is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tanguedia III by Astor Piazzolla having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM | ||
| Piazzolla: Estaciónes porteñas: No. 2, Otoño porteño | Daniel Barenboim, Rodolfo Mederos, Héctor Console | F Major | 0 | 7B | 103 BPM | ||
| Histoire du tango pour flûte et guitare: Bordel 1900 | Cécile Daroux, Pablo Marquez | A Major | 1 | 11B | 73 BPM | ||
| 京マチ子の夜 | Naruyoshi Kikuchi, ペペ・トルメント・アスカラール | G Minor | 4 | 6A | 108 BPM | ||
| Lluvia De Estrellas | Osmar Maderna | G Major | 5 | 9B | 134 BPM | ||
| Five Tango Sensations: Despertar - Anxiety | Kronos Quartet | B Minor | 0 | 10A | 87 BPM | ||
| El Viejo Caminante | Dino Saluzzi, Jacob Young, José Maria Saluzzi | D Major | 0 | 10B | 121 BPM | ||
| Escualo | Gidon Kremer | F♯ Minor | 2 | 11A | 202 BPM | ||
| Loca | Orquesta Juan D' Arienzo | A Minor | 4 | 8A | 129 BPM | ||
| Otoño porteño | Ventarrón | D Minor | 3 | 7A | 118 BPM | ||
| Aguas da Amazonia: Amazon River | Third Coast Percussion, Philip Glass, Constance Volk | D♭ Major | 1 | 3B | 165 BPM | ||
| Volver | Hugo Díaz | C Major | 5 | 8B | 95 BPM | ||
| Soledad | Astor Piazzolla | F♯ Minor | 0 | 11A | 147 BPM | ||
| Five Tango Sensations: Asleep - Dreaming | Astor Piazzolla, Bandoneón, Kronos Quartet | A Minor | 0 | 8A | 73 BPM | ||
| Five Tango Sensations: Fear | Kronos Quartet | A Major | 1 | 11B | 143 BPM | ||
| Chiquilín de Bachín (feat. Astor Piazzolla) | Amelita Baltar, Astor Piazzolla | A♭ Major | 3 | 4B | 105 BPM | ||
| El Milongote | Raul Barboza, Daniel Diaz | F Minor | 4 | 4A | 119 BPM | ||
| Amores De Estudiantes | Hugo Díaz | C Major | 4 | 8B | 138 BPM | ||
| Fuga y Misterio | Astor Piazzolla | D Major | 2 | 10B | 144 BPM | ||
| Un final sans fin II - 永遠に終わらないフィナーレ II | Umitaro Abe, BUN Imai, 大石俊太郎 | A Minor | 4 | 8A | 110 BPM | ||
| Little Umbrellas | Frank Zappa | G Major | 5 | 9B | 135 BPM | ||
| So Many Layers of Colour Become a Deep Purple Heart (To Steve Reich) | Mats Bergström, Edda Magnason | A Minor | 4 | 8A | 180 BPM | ||
| Ionisation | Edgard Varèse, Pierre Boulez, New York Philharmonic | D♭ Major | 4 | 3B | 129 BPM | ||
| El escondite de Hernando | Florindo Sassone Y Su Orquesta | C Major | 3 | 8B | 116 BPM | ||
| Oblivion | Astor Piazzolla | C Minor | 3 | 5A | 164 BPM |