Tchaikovsky: Violin Concerto in D Major, Op. 35: I. Allegro moderato by Pyotr Ilyich Tchaikovsky, Frank Peter Zimmermann, Berliner Philharmoniker, Lorin Maazel Song Details

"Tchaikovsky: Violin Concerto in D Major, Op. 35: I. Allegro moderato" by Pyotr Ilyich Tchaikovsky, Frank Peter Zimmermann, Berliner Philharmoniker, Lorin Maazel had its release date on May 20, 2022. This song appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Tchaikovsky: Violin Concerto, Op. 35 - Prokofiev: Violin Concerto No. 1, Op. 19". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Tchaikovsky: Violin Concerto in D Major, Op. 35: I. Allegro moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Tchaikovsky: Violin Concerto in D Major, Op. 35: I. Allegro moderato by Pyotr Ilyich Tchaikovsky, Frank Peter Zimmermann, Berliner Philharmoniker, Lorin Maazel having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 3%
Loudness: -23.989 dB
Acousticness: 92%
Danceability: 24%
Energy: 8%
Instrumentalness: 8%
Liveness: 6%
Loudness: 60%
Speechiness: 5%
Valence: 9%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Sleeping Beauty, Op. 66 : Valse	Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice	B♭ Major	2	6B	100 BPM
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido)	Franz Liszt, Daniel Barenboim	D♭ Major	0	3B	69 BPM
Etude in F Minor	Felix Mendelssohn, Benjamin Frith	B♭ Major	0	6B	75 BPM
Paquita: Variation 6: Andante	Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov	A Major	1	11B	165 BPM
Brook Green Suite: II. Air	Gustav Holst, English Sinfonia, Howard Griffiths	E♭ Major	0	5B	128 BPM
Chopin - 6 Chants Polonais, S480/R145: No. 2. Fruhling(Wiosna, Spring)	Joseph Banowetz, Franz Liszt	G Major	1	9B	108 BPM
Die Walküre, Act III: Ride of the Valkyries	Richard Wagner, Budapest Symphony Orchestra, György Lehel	D♭ Major	1	3B	72 BPM
Skater's Waltz	Norddeutsche Philharmonie Symphony	D Major	2	10B	105 BPM
I. Pezzo in forma di sonatina	Pyotr Ilyich Tchaikovsky, Wiener KammerOrchester, Philippe Entremont	G Major	3	9B	147 BPM
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro"	Franz Liszt, Daniil Trifonov	D♭ Major	1	3B	76 BPM
Prince Igor: Polovtsian Dances (Version for Chorus)	Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	A Major	2	11B	110 BPM
Vienna Blood - Waltz Op. 354	Johann Strauss II, Hallé, Bryden Thomson	C Major	0	8B	178 BPM
Masquerade - Ballet Suite: 1. Waltz	Aram Khachaturian, London Symphony Orchestra, Stanley Black	C Major	3	8B	100 BPM
Salut d'amour, Op. 12	Edward Elgar, Sueye Park, Love Derwinger	E Major	1	12B	83 BPM
Nutcracker - Waltz of the Flowers	Wiener Symphoniker, Willi Boskovsky	G Major	3	9B	147 BPM
Jazz Suite No. 2: VI. Waltz 2	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	C Minor	2	5A	108 BPM
Masquerade Suite: I. Waltz	Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra, Oscar Shumsky	C Major	3	8B	181 BPM
Samson et Dalila: Bacchanale	Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser	A Minor	1	8A	109 BPM
Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato	Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko	A Major	0	11B	139 BPM
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights	Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel	B♭ Major	6	6B	124 BPM
Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano)	Christoph Willibald Gluck, Yuja Wang	D Minor	0	7A	70 BPM
Polovetsian Dances from Prince Igor: Moderato alla breve	Alexander Borodin, George Szell, The Cleveland Orchestra	A Major	2	11B	108 BPM
Giselle / Act 1: Introduction	Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge	D Major	0	10B	73 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Die Fledermaus: Overture	Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan	B Minor	1	10A	97 BPM