Concerto grosso No. 12 in F Major, Op. 6: II. Allegro by Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova Song Details

On October 14, 2013, the song "Concerto grosso No. 12 in F Major, Op. 6: II. Allegro" was released by Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Concerto grosso No. 12 in F Major, Op. 6: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 70 in Corelli: The Complete Concerti Grossi by Arcangelo Corelli, Gli Incogniti, Amandine Beyer. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Concerto grosso No. 12 in F Major, Op. 6: II. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

The tempo marking of Concerto grosso No. 12 in F Major, Op. 6: II. Allegro by Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

Music Key

E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

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Popularity: 8%
Loudness: -13.181 dB
Acousticness: 84%
Danceability: 48%
Energy: 36%
Instrumentalness: 94%
Liveness: 15%
Loudness: 78%
Speechiness: 4%
Valence: 81%

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