Anne Shelton's 'A Nightingale Sang in Berkeley Square' had a release date set for January 9, 1960. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 28 in At Last Forever by Anne Shelton. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, A Nightingale Sang in Berkeley Square is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of A Nightingale Sang in Berkeley Square by Anne Shelton is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You're In My Arms | Jack Popplewell, Anne Shelton, Bert Ambrose Orchestra, Bert Ambrose | D♭ Major | 1 | 3B | 110 BPM | ||
| This Is a Changing World | Noel Coward | A Major | 0 | 11B | 45 BPM | ||
| Indian Love Call | Nelson Eddy, Jeanette MacDonald | E Minor | 5 | 9A | 99 BPM | ||
| Boo Hoo | Guy Lombardo | C Major | 2 | 8B | 180 BPM | ||
| Makin' Whoopee | Eddie Cantor | F Major | 1 | 7B | 79 BPM | ||
| The Mood That I'm In (Carroll Gibbons; The Savoy Hotel Orpheans) | Carroll Gibbons, The Savoy Hotel Orpheans | F Major | 3 | 7B | 173 BPM | ||
| Goody-Goody | Henry Hall, The BBC Dance Orchestra | F Major | 1 | 7B | 79 BPM | ||
| The Poor People of Paris | Winifred Atwell | F Major | 1 | 7B | 79 BPM | ||
| Why Don't Women Like Me? | George Formby | D♭ Minor | 4 | 12A | 180 BPM | ||
| Good Morning | Joe Loss And His Band | B♭ Major | 1 | 6B | 188 BPM | ||
| Silver Wings in the Moonlight | Anne Shelton | F Major | 1 | 7B | 79 BPM | ||
| Blue Ridge Mountains | Laurel and Hardy | F Major | 1 | 7B | 79 BPM | ||
| The Object Of My Affection (with Jimmie Grier) - 78 rpm Version | The Boswell Sisters, Jimmie Grier | F Major | 2 | 7B | 67 BPM | ||
| Honey | Rudy Vallee | C Minor | 2 | 5A | 125 BPM | ||
| I've Got the World On a String | Helen O'Connell | B♭ Minor | 2 | 3A | 134 BPM | ||
| I've Got My Eyes on You | Ambrose & His Orchestra | G Minor | 5 | 6A | 172 BPM | ||
| Let's Get Away from It All | Martha Tilton, Harry Babbitt | A Minor | 2 | 8A | 124 BPM | ||
| Macushla | John McCormack | E♭ Major | 2 | 5B | 131 BPM | ||
| Egyptian Ella | Jack Hylton & His Orchestra | G Minor | 6 | 6A | 125 BPM | ||
| I'm Just a Vagabond Lover | Rudy Vallee | B♭ Major | 2 | 6B | 106 BPM | ||
| Did Your Mother Come From Ireland | Charlie Kunz | C Major | 1 | 8B | 111 BPM | ||
| Mad Dogs and Englishmen | Noel Coward | C Major | 3 | 8B | 134 BPM | ||
| We'll Smile Again | Flanagan & Allen | A Major | 1 | 11B | 108 BPM | ||
| Heart and Soul | Bea Wain | F Major | 1 | 7B | 79 BPM | ||
| Imagine Me In The Maginot Line | George Formby | E Major | 5 | 12B | 99 BPM |