Sonata Seconda in D for Viola da Gamba: II. Aria by Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot Song Details

Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot's ' "Sonata Seconda in D for Viola da Gamba: II. Aria" was released on its scheduled release date, January 11, 2019. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Sonata Seconda in D for Viola da Gamba: II. Aria's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 28 in Circa 1700: Purcell & his Generation by La Rêveuse, Benjamin Perrot, Florence Bolton. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Sonata Seconda in D for Viola da Gamba: II. Aria is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

BPM and Tempo

The tempo marking of Sonata Seconda in D for Viola da Gamba: II. Aria by Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -19.657 dB
Acousticness: 95%
Danceability: 34%
Energy: 19%
Instrumentalness: 1%
Liveness: 25%
Loudness: 67%
Speechiness: 4%
Valence: 78%

Recommendations

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Couperin, L: Suite en sol: V. Passacaille ou Chaconne, G. 96	Louis Couperin, Jean Rondeau	F Minor	3	4A	87 BPM
Sonata op. 1 No. 3 in F Major: III. Adagio	Godfrey Finger, Alison Melville, Colin Savage, Terry Mckenna, Peter Lehman, Margaret Gay, Valerie Weeks	B Major	1	1B	71 BPM
Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: II. Allegro	Tomaso Albinoni, Ensemble 415, Chiara Banchini	A♭ Major	3	4B	132 BPM
Les plaisirs: 2e Entree	Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon	B Minor	1	10A	79 BPM
Concerto for Violin and Bassoon in G Minor: II. Grave	Giuseppe Antonio Brescianello, David Plantier, Eckhard Lenzin, La Cetra Barockorchester Basel, Vaclav Luks	A♭ Major	2	4B	131 BPM
Amarilli, mia bella (1601)	Giulio Caccini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent	D♭ Major	0	3B	129 BPM
La Girouette	Antoine Forqueray, Lucile Boulanger, Myriam Rignol, Mathilde Vialle, Julien Wolfs	F♯ Major	0	2B	102 BPM
Concerto À 4 Parties In A Minor: 2. Gavotte I and Gavotte II:Tendrement	Michel Blavet, Musica Antiqua Köln, Reinhard Goebel	A♭ Major	0	4B	104 BPM
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Sonates sans basse: Sonata in G Major, TWV 40:101: Soave	Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque	E♭ Major	0	5B	129 BPM
Viola da Gamba Concerto in A Major: I. A tempo guisto	Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin	E♭ Major	0	5B	97 BPM
Concerto XI à 5 en Ut Mineur, Op. 1: I. Largo	Pietro Locatelli, Freiburger Barockorchester, Gottfried Von Der Goltz	B Minor	1	10A	134 BPM