Ghost Quartet's ' "Bad Men" was released on its scheduled release date, October 31, 2014. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ghost Quartet's "Ghost Quartet" album is number 16 out of 20. On top of that, United States appears to be the country where this track was created. Based on our statistics, Bad Men's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Bad Men by Ghost Quartet to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| If I Could've Been | Working: A Musical (Original London Cast) | E Major | 3 | 12B | 110 BPM | ||
| Fathers & Sons | Ghost Quartet | B Major | 4 | 1B | 176 BPM | ||
| Rock Star | James Barry, Benjamín Walker, Bloody Bloody Andrew Jackson Original Cast | B Minor | 9 | 10A | 122 BPM | ||
| Osiris | Charming Disaster | A Minor | 6 | 8A | 126 BPM | ||
| The Rescue: The Riddle Song | Adam Guettel | D♭ Major | 3 | 3B | 98 BPM | ||
| It's a Privilege to Pee | Nancy Opel, Urinetown Ensemble | C Minor | 3 | 5A | 131 BPM | ||
| Tango Dancer (Scene) - Live | Ghost Quartet | B♭ Minor | 1 | 3A | 97 BPM | ||
| Gotta Get Out | Lisa Brescia | C Major | 3 | 8B | 153 BPM | ||
| The Ripening | Grace McLean | F Major | 4 | 7B | 116 BPM | ||
| A Call to Pierre | Grace McLean, Josh Groban, Original Broadway Company of Natasha, Pierre & the Great Comet of 1812 | E Minor | 7 | 9A | 111 BPM | ||
| Citizens of Venice | Matt Sax, Venice Original Cast | A♭ Major | 5 | 4B | 90 BPM | ||
| Why? | Frankenstein World Premiere Cast | A♭ Major | 4 | 4B | 83 BPM | ||
| Almost Real | Kelli O'Hara | C Major | 3 | 8B | 89 BPM | ||
| Little Life | Grace McLean, Rachael Duddy, Ashley Perez Flanagan, Hannah Whitney | F Major | 2 | 7B | 176 BPM | ||
| Millwork | Siubhan Harrison, Liam Tamne | D Major | 3 | 10B | 149 BPM | ||
| Lesson #8 | Jake Gyllenhaal | E♭ Major | 2 | 5B | 118 BPM | ||
| How Long? | Anaïs Mitchell, Greg Brown, Ani DiFranco | D Minor | 3 | 7A | 136 BPM | ||
| Filling out the Form | '[title of show]' Original Cast | A♭ Major | 3 | 4B | 131 BPM | ||
| Solo | Dave Malloy, Original Cast of Octet | E♭ Major | 3 | 5B | 123 BPM | ||
| An Operatic Tragedy | Mindi Dickstein, Jason Howland, 'Little Women' Original Broadway Cast | G Major | 4 | 9B | 79 BPM | ||
| Itzik's Lullaby | John Cariani, George Abud | C Major | 0 | 8B | 76 BPM | ||
| Women | Natalie Joy Johnson, Original Broadway Cast of Lempicka | G Minor | 4 | 6A | 139 BPM | ||
| World's Best Papa - Original London Cast Recording | Jez Unwin, Audrey Brisson, Rachel Dawson, ’Amélie’ Original London Cast | D Major | 4 | 10B | 153 BPM | ||
| Public Life | Benjamín Walker, Bloody Bloody Andrew Jackson Original Cast | A Minor | 7 | 8A | 93 BPM | ||
| You're Still Here | Ramin Karimloo, Fra Fee | G Minor | 4 | 6A | 93 BPM |