On March 7, 1988, the song "Phool Gulab Ka" was released by Anuradha Paudwal, Mohammed Aziz. This song is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The song is number 5 out of 6 in Biwi Ho To Aisi by Laxmikant–Pyarelal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Phool Gulab Ka is currently average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Phool Gulab Ka by Anuradha Paudwal, Mohammed Aziz is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sajna O Sajna-Le To | Hemlata | A♭ Minor | 6 | 1A | 87 BPM | ||
| Hi Navri Asli (From "Navri Mile Navryalla") | Sachin, Anuradha Paudwal | D Minor | 8 | 7A | 73 BPM | ||
| Aur Bhala Kya Maangu Main Rab Se | Pankaj Udhas, Lata Mangeshkar | B♭ Minor | 5 | 3A | 151 BPM | ||
| Tujhe Pyar Karte Hain | Suman Kalyanpur, Mohammed Rafi | F Major | 5 | 7B | 100 BPM | ||
| Tum Agar Saath Dene Ka Vada Karo | Mahendra Kapoor | B Major | 3 | 1B | 149 BPM | ||
| Tum Mere Ho | Udit Narayan, Anupama | G Minor | 4 | 6A | 152 BPM | ||
| Banno Teri Ankhiyan Soorme | Sapna Awasthi | A Major | 4 | 11B | 92 BPM | ||
| Woh Ho Tum | Sonu Nigam, Anuradha Paudwal | A Major | 7 | 11B | 79 BPM | ||
| Agar Teri Jalwa Numai Na Hoti | Suman Kalyanpur, Mohammed Rafi | A♭ Major | 4 | 4B | 77 BPM | ||
| Taron Men Sajke Apne Suraj Se | Mukesh, Laxmikant–Pyarelal | A♭ Major | 6 | 4B | 126 BPM | ||
| Yeh Jeevan Jitni Baar Mile | Alka Yagnik, Mohammed Aziz | B♭ Minor | 9 | 3A | 177 BPM | ||
| Jiska Koi Nahin Sad | Manna Dey, Kalyanji-Anandji | C Major | 4 | 8B | 146 BPM | ||
| Aise Teri Yaad Aati Hai | Alka Yagnik, Mohammed Aziz | D♭ Major | 8 | 3B | 164 BPM | ||
| Main Hoon Khushrang Henna, Pt. 2 | Lata Mangeshkar, Mohammed Aziz, Ravindra Jain | A Minor | 9 | 8A | 121 BPM | ||
| Jane Ham Sadak Ke Logon Se | Mohammed Rafi, Laxmikant–Pyarelal | B♭ Minor | 5 | 3A | 82 BPM | ||
| Yari Hai Imaan Mera | Manna Dey, Kalyanji-Anandji | A♭ Major | 5 | 4B | 106 BPM | ||
| Ae Jaan-E-Chaman Tera Gora Badan | Mahendra Kapoor | E Minor | 5 | 9A | 111 BPM | ||
| Ankhiyon Ke Jharokhon Se | Hemlata, Ravindra Jain | C Minor | 5 | 5A | 165 BPM | ||
| Tu Is Tarah Se - Hemlata | Hemlata | G Major | 3 | 9B | 91 BPM | ||
| Phool Phool Pe Bani Hai Teri Tasveer | Udit Narayan | B♭ Major | 1 | 6B | 115 BPM | ||
| Kasam Se Kasam Se | Anuradha Paudwal, Mohammed Aziz | A Major | 9 | 11B | 140 BPM | ||
| Koi Na Koi Chahiye - From "Deewana" | Vinod Rathod | B Minor | 7 | 10A | 124 BPM | ||
| Marne Ke Dar Se Mere Dil (From "Jurm") | Asha Bhosle, Mohammed Aziz | G Minor | 8 | 6A | 96 BPM | ||
| Dosti Dosti Teri Meri Dosti | Kumar Sanu, Mohammed Aziz | D♭ Major | 8 | 3B | 160 BPM | ||
| Madhuban Khushboo Deta Hai - Duet | K. J. Yesudas, Anuradha Paudwal | D♭ Major | 4 | 3B | 126 BPM |