"The Light Comes Out Of Them" by Neil Davidge had its release date on April 14, 2015. This song is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The track order of this song in Neil Davidge's "Monsters: Dark Continent" album is number 22 out of 34. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Light Comes Out Of Them is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Light Comes Out Of Them by Neil Davidge to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| One Man At A Time | Rupert Gregson-Williams | D Major | 5 | 10B | 116 BPM | ||
| 47 Ronin | Ilan Eshkeri | G Major | 4 | 9B | 130 BPM | ||
| Through the Trees | Halo, Joel Corelitz | F Major | 6 | 7B | 102 BPM | ||
| Installation 04 | Halo, Brian Trifon, Lennie Moore, Paul Lipson, Tom Salta | F Minor | 3 | 4A | 131 BPM | ||
| Ark Pursuit | Stephen Barton | D Major | 6 | 10B | 174 BPM | ||
| The Blinded Forest | Gareth Coker | B♭ Minor | 1 | 3A | 144 BPM | ||
| Angel of Verdun (Main Title) | Christophe Beck | G Major | 2 | 9B | 118 BPM | ||
| Demeter | Stephen Barton | D♭ Major | 6 | 3B | 100 BPM | ||
| Vanguard | Evan Rufh | D Major | 3 | 10B | 68 BPM | ||
| New Atlantis | Inon Zur | A Major | 2 | 11B | 79 BPM | ||
| Bad Here Day | Halo, Stephen Rippy | A Minor | 10 | 8A | 121 BPM | ||
| Freezer (With Choir) | Gabriel Mann, Rebecca Kneubuhl | E Minor | 2 | 9A | 78 BPM | ||
| The Second Wave Overture | Dynamedion | G Major | 3 | 9B | 78 BPM | ||
| Always Forever | Naomi Chinenye, KOOKA | E Major | 2 | 12B | 62 BPM | ||
| Dear Mom | Niclas Moan, Nocilla | D Major | 3 | 10B | 77 BPM | ||
| Sacrifice | Halo, Kazuma Jinnouchi | A Minor | 10 | 8A | 121 BPM | ||
| The View Of Palaven | Christopher Lennertz | D Minor | 6 | 7A | 115 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| Final Tale | Farid Puber | D♭ Major | 3 | 3B | 80 BPM | ||
| The Last City | Skye Lewin, Michael Salvatori | D♭ Major | 5 | 3B | 117 BPM | ||
| Shan Guo | Junkie XL | F Minor | 7 | 4A | 80 BPM | ||
| Fields of Dusk - Orchestral Version | TATRAN | F Major | 2 | 7B | 78 BPM | ||
| Zechariah 10:5 | Scott Tobin | C Minor | 2 | 5A | 87 BPM | ||
| The Expansion End Titles | Thorwald Odin | C Minor | 2 | 5A | 60 BPM | ||
| Pinky Pinky | Visha Khan, Tune | D Major | 2 | 10B | 84 BPM |