On 2011, the song "Blame It On The Moondog" was released by The Base. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Tested Under Extreme Conditions". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Based on our statistics, Blame It On The Moondog's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Blame It On The Moondog by The Base having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hollywood | 100 Dollar Stereo | E Minor | 2 | 9A | 90 BPM | ||
| Weeping for the World | Postindustrial Poets | G Minor | 5 | 6A | 108 BPM | ||
| Alphaville | Bryan Ferry | A Minor | 3 | 8A | 204 BPM | ||
| Our Boats Are On The Way | The Base | C Major | 5 | 8B | 88 BPM | ||
| Let the World Go By | Karl Blau | B Minor | 4 | 10A | 111 BPM | ||
| LikeLikeLike | Sophie Hunger | D Major | 5 | 10B | 167 BPM | ||
| As Blue As Saturday NIght | Elliott Murphy | D♭ Minor | 6 | 12A | 51 BPM | ||
| Counting On | The Colorist Orchestra, Howe Gelb | E Minor | 2 | 9A | 90 BPM | ||
| My Eyes | Alexander Jóhannson | B Minor | 1 | 10A | 75 BPM | ||
| Ride Like You Have To | Benny Zen, The Love Jelly Support Circle | F Major | 3 | 7B | 201 BPM | ||
| Ghost Song | Jim White, Trey Blake | A Minor | 4 | 8A | 73 BPM | ||
| Come Into My Arms | Naked Lunch, MAIIJA | E♭ Major | 4 | 5B | 130 BPM | ||
| Hände Weg von Allem | Fuzzman | C Major | 5 | 8B | 101 BPM | ||
| Bitter-Sweet | Bryan Ferry, The Bryan Ferry Orchestra | D Minor | 3 | 7A | 146 BPM | ||
| You Shouldn't Be Lonely | Element Of Crime | G Major | 5 | 9B | 118 BPM | ||
| How I Think of You | Malakoff Kowalski | C Minor | 7 | 5A | 125 BPM | ||
| Crystal Frontier | Calexico | G Minor | 8 | 6A | 126 BPM | ||
| Little Donny Returns | Sean Taylor | E Minor | 2 | 9A | 90 BPM | ||
| We're Watching Peaky Blinders | The Base | D♭ Minor | 4 | 12A | 114 BPM | ||
| Forever Lost | Catherine Graindorge, Hugo Race | A♭ Minor | 3 | 1A | 125 BPM | ||
| Come on Over (Turn Me On) | Isobel Campbell, Mark Lanegan | F Minor | 5 | 4A | 187 BPM | ||
| I'm Settled | Yusuf Sahilli | A♭ Minor | 6 | 1A | 154 BPM | ||
| Televised - Radio Edit | Teenage Bobby Awe | B Major | 6 | 1B | 80 BPM | ||
| Horizon Fade | The Walkabouts | F Major | 3 | 7B | 112 BPM | ||
| Blue Splinter View | Me And My Drummer | F Minor | 7 | 4A | 105 BPM |