"Never Ending Reality" by Tomorrows Tulips had its release date on 2018. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Never Ending Reality's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tomorrows Tulips's "Harnessed To Flesh" album is number 9 out of 14. Never Ending Reality is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Never Ending Reality by Tomorrows Tulips to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lonely Eyes | The Spyrals | G Major | 8 | 9B | 128 BPM | ||
| Tired of Being Bad | Shannon & The Clams | C Major | 7 | 8B | 100 BPM | ||
| Be Your Baby | Harlem | C Major | 9 | 8B | 170 BPM | ||
| A.Y.D. | Cass McCombs | B Minor | 7 | 10A | 168 BPM | ||
| Gone | Froth | G Major | 4 | 9B | 110 BPM | ||
| Run Me Over | The Babies | B Major | 9 | 1B | 161 BPM | ||
| What to Do | Dead Ghosts | A Major | 10 | 11B | 113 BPM | ||
| Graves | Hooded Fang | A Major | 8 | 11B | 101 BPM | ||
| Feast of the First Morning | Gap Dream | E Major | 8 | 12B | 121 BPM | ||
| Future Primitive | Papercuts | D Major | 5 | 10B | 119 BPM | ||
| Too Late | Guantanamo Baywatch | A Major | 7 | 11B | 167 BPM | ||
| Wake Up | Tomorrows Tulips | B♭ Major | 9 | 6B | 86 BPM | ||
| Summer With Phil | Dead Ghosts | F Major | 7 | 7B | 128 BPM | ||
| Chapel | The Pesos | A Minor | 9 | 8A | 165 BPM | ||
| We Can Call It Whatever | The Memories | G Major | 6 | 9B | 113 BPM | ||
| No Fragments Reach | Teenage Cool Kids | C Major | 4 | 8B | 111 BPM | ||
| Plane | Omni | D Major | 9 | 10B | 134 BPM | ||
| Ociffer | Cobra Man | B Major | 9 | 1B | 127 BPM | ||
| Nothing Baby | Froth | C Major | 4 | 8B | 80 BPM | ||
| High Fantasy | Lace Curtains | D Major | 8 | 10B | 144 BPM | ||
| She's The One | Japanther | B Major | 9 | 1B | 97 BPM | ||
| Diana | Guantanamo Baywatch | F Major | 7 | 7B | 133 BPM | ||
| Long Exposure | Warehouse | F♯ Minor | 8 | 11A | 115 BPM | ||
| What Me Worry | Cosmonauts | A Major | 8 | 11B | 119 BPM | ||
| Sticks and Stones | Crystal Stilts | E Major | 7 | 12B | 130 BPM |