Mathew Rosenblum, Mary Nessinger, Kristin Norderval, Brad Lubman's 'Nü Kuan Tzu: VI. Interlude 2' had a release date set for January 1, 2007. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Nü Kuan Tzu: VI. Interlude 2's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mathew Rosenblum, Prism Players, Brad Lubman's "Matthew Rosenblum: Ancient Eyes" album is number 6 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Nü Kuan Tzu: VI. Interlude 2 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nü Kuan Tzu: VI. Interlude 2 by Mathew Rosenblum, Mary Nessinger, Kristin Norderval, Brad Lubman to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oriental Suite: I - Song Of The Aisors | G. I. Gurdjieff, Thomas de Hartmann, Metropole Orkest, The Little Orchestra | F Minor | 0 | 4A | 112 BPM | ||
| Nü Kuan Tzu: III. Interlude 1 | Mathew Rosenblum, Mary Nessinger, Kristin Norderval, Brad Lubman | B Minor | 1 | 10A | 173 BPM | ||
| Danse Sayyid (No. 26) | G. I. Gurdjieff, Thomas de Hartmann, Dietrich Bethge, Corinne Cordier, Herbert Lashner, Fernando Del Verme | G Minor | 2 | 6A | 74 BPM | ||
| Ciudades: VI. Tokyo | Guillermo Lago, Fukio Ensemble | A Minor | 2 | 8A | 112 BPM | ||
| Reisado do pastoreio: III. Batuque | Oscar Lorenzo Fernández, Minas Gerais Philharmonic Orchestra, Fabio Mechetti | F Major | 7 | 7B | 100 BPM | ||
| Void Pulse | Astrid Voix | D♭ Major | 0 | 3B | 81 BPM | ||
| Inner Harmony | Rylandiaa | E Major | 1 | 12B | 100 BPM | ||
| A Sutured World: I. Take This Broken Wing... - Live | Liza Lim, Bavarian Radio Symphony Orchestra, Nicolas Altstaedt, Edward Gardner | D Major | 2 | 10B | 104 BPM | ||
| Ephemere Eternite | Sirjan | F Minor | 5 | 4A | 148 BPM | ||
| 3 Miniatures for Clarinet and Piano (I. Allegro II. Andante Cantabile III. Allegro Ma Non Troppo) | Krzysztof Penderecki, Anna Miernik, Barbara Borowicz | B♭ Major | 3 | 6B | 81 BPM | ||
| Saxophone Concerto, Op. 59 "Cyber-bird": I. Bird in Colors | Takashi Yoshimatsu, Sachio Fujioka, BBC Philharmonic, Nobuya Sugawa | F Major | 2 | 7B | 85 BPM | ||
| Críptico No. 9 | Iván Enrique Rodríguez, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Nü Kuan Tzu: IV. 12/11 Pop | Mathew Rosenblum, Kristin Norderval, Mary Nessinger, Brad Lubman | D Major | 2 | 10B | 90 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | D♭ Major | 0 | 3B | 81 BPM | ||
| Music for 18 Musicians (1976): Section I | Steve Reich, Ensemble Links, Rémi Durupt | E Minor | 3 | 9A | 136 BPM | ||
| Serenade No. 12, Op. 88: I. Intrada | Vincent Persichetti, David Zerkel | D♭ Major | 1 | 3B | 131 BPM | ||
| Summer Night in a Deep Valley | Chia-Yu Hsu, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Shimmer | Elena Ruehr, Boston Modern Orchestra Project, Gil Rose | F♯ Major | 2 | 2B | 127 BPM | ||
| 3rd Movement from Amalgamations for Solo Bass - Instrumental | Mike Marshall, Edgar Meyer, Béla Fleck | C Major | 1 | 8B | 79 BPM | ||
| Trombone Concerto (Arr. for Trombone & Orchestra by John Dickson): II. Waltse for Joe | Chick Corea, Joseph Alessi, Nashville Symphony Orchestra, Giancarlo Guerrero | B♭ Minor | 0 | 3A | 77 BPM | ||
| Ex Machina: Machine IV (Dancing a Mean Ghastly Dance) | Marc Mellits, Donald Sinta Quartet | G Minor | 3 | 6A | 128 BPM | ||
| Lunar Circle | Luna Mystic | E Minor | 4 | 9A | 102 BPM | ||
| Shaker Loops: Hymning Slews (Version for string orchestra) | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 0 | 11B | 81 BPM | ||
| Partita in G Minor: IV. Bouree Anglaise (Arr. For soprano saxophone) | Johann Sebastian Bach, Anders Paulsson | G Minor | 0 | 6A | 103 BPM | ||
| Strum | Jessie Montgomery, Catalyst Quartet | A Major | 2 | 11B | 110 BPM |