"Melancholia II" by William Basinski had its release date on August 12, 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in William Basinski's "Melancholia" album is number 2 out of 14. On top of that, United States appears to be the country where this track was created. Melancholia II is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Melancholia II by William Basinski to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Time We Have | Steve Hauschildt | A Minor | 3 | 8A | 67 BPM | ||
| Circassian | Fennesz | E Minor | 5 | 9A | 114 BPM | ||
| Ouverture De Peter Hodge Transport | Kyle Bobby Dunn | F♯ Major | 2 | 2B | 66 BPM | ||
| Stasis Sounds for Long-Distance Space Travel (Stage 1) | 36, zakè | A Major | 0 | 11B | 76 BPM | ||
| Pleen 1930's | Clark | G Minor | 3 | 6A | 120 BPM | ||
| Time Away | Andy Stott | A Minor | 1 | 8A | 71 BPM | ||
| Dance PM | Hiroshi Yoshimura | F♯ Minor | 1 | 11A | 85 BPM | ||
| Displacement | Rafael Anton Irisarri | E♭ Major | 0 | 5B | 87 BPM | ||
| Overture (For Other Halfs) | Brian McBride | G Major | 0 | 9B | 140 BPM | ||
| September Remember | Sam Prekop | G Minor | 2 | 6A | 93 BPM | ||
| When Summer Turns to Fall | Planning For Burial | D Major | 0 | 10B | 69 BPM | ||
| Degree of Change | KMRU | D♭ Major | 0 | 3B | 142 BPM | ||
| Vagues | Benoît Pioulard | F♯ Minor | 1 | 11A | 51 BPM | ||
| Floor Position | Perila | A♭ Minor | 2 | 1A | 131 BPM | ||
| RH Negative | Rafael Anton Irisarri | B Minor | 2 | 10A | 101 BPM | ||
| Sad Alron | Mark Pritchard | D♭ Minor | 2 | 12A | 74 BPM | ||
| In Praise of Tears | Kyle Bobby Dunn | F♯ Major | 0 | 2B | 133 BPM | ||
| Leopards, Pt. 2 | Vanessa Amara | F♯ Minor | 1 | 11A | 85 BPM | ||
| FLUX TWO | Robert Turman | A Minor | 4 | 8A | 82 BPM | ||
| Some Limited and Waning Memory | Christina Vantzou, Echo Collective | G Major | 1 | 9B | 74 BPM | ||
| Eastbound, Sometime | Forest Management | A♭ Major | 0 | 4B | 0 BPM | ||
| Begin | Pan-American | C Major | 0 | 8B | 69 BPM | ||
| Two Trains Came Through the Station at Once and It Felt Like a Hurricane | Dylan Henner | C Minor | 2 | 5A | 72 BPM | ||
| White Light | Chihei Hatakeyama | D Major | 0 | 10B | 68 BPM | ||
| For Her Breath Is On All That Hath Life | The Humble Bee, Offthesky | D♭ Major | 2 | 3B | 86 BPM |