Jim Bajor's 'Away In A Manager' had a release date set for 1992. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Away In A Manager's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 19 in Christmas Memories by Jim Bajor. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Away In A Manager is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Away In A Manager by Jim Bajor is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It Came Upon a Midnight Clear | The O'Neill Brothers Group | G Major | 1 | 9B | 95 BPM | ||
| Do You Hear What I Hear | Nate Hance | F Major | 2 | 7B | 118 BPM | ||
| Away In A Manger | David Osborne | F♯ Major | 1 | 2B | 114 BPM | ||
| Hark! The Herald Angels Sing | Robin Spielberg, Byron Duckwall, Chris Theriault | C Major | 0 | 8B | 87 BPM | ||
| Christmas Lullaby | Danny Wright | C Major | 1 | 8B | 69 BPM | ||
| Angels We Have Heard On High | John Tesh | C Major | 2 | 8B | 107 BPM | ||
| The Christ Child - Instrumental | Arnel DC Aquino SJ | D Major | 3 | 10B | 99 BPM | ||
| It Came Upon a Midnight Clear | George Carlaw | G Major | 2 | 9B | 83 BPM | ||
| An Intimate Christmas | Jim Bajor | C Major | 3 | 8B | 165 BPM | ||
| Lo, How a Rose E’er Blooming | Kevin Kern | F Major | 2 | 7B | 66 BPM | ||
| Silent Night | Kurt Bestor | C Major | 0 | 8B | 133 BPM | ||
| It Came Upon the Midnight Clear | Sarah Brooks | A♭ Major | 0 | 4B | 100 BPM | ||
| Away in a Manger | Tim Neumark | D Major | 1 | 10B | 114 BPM | ||
| Sleigh Ride | Stan Whitmire | G Major | 2 | 9B | 166 BPM | ||
| O Come All Ye Faithful (Instrumental Version) | Jason Wright | F♯ Major | 0 | 2B | 169 BPM | ||
| Still, Still, Still | The O'Neill Brothers | D Major | 1 | 10B | 128 BPM | ||
| March of the Toys (Instrumental Version) | The O'Neill Brothers Group | F Major | 0 | 7B | 68 BPM | ||
| Joy to the World | Joe Bongiorno | E♭ Major | 1 | 5B | 91 BPM | ||
| O Come, O Come Emmanuel | Kevin Kern | A Minor | 2 | 8A | 166 BPM | ||
| Angels We Have Heard on High | Jon Sarta | B♭ Major | 0 | 6B | 94 BPM | ||
| Still, Still, Still | Sally Harmon | D Major | 0 | 10B | 75 BPM | ||
| Silent Night / The First Noel | Amy B. Hansen | C Major | 1 | 8B | 78 BPM | ||
| Do You Hear What I Hear? - Instrumental | Maranatha! Instrumental | D♭ Major | 0 | 3B | 65 BPM | ||
| Joy to the World (Antioch) | Joshua David Harris | D Major | 0 | 10B | 118 BPM | ||
| Silent Night | Christian Piano | C Major | 0 | 8B | 140 BPM |