Barbara Dennerlein's 'Spain' had a release date set for July 23, 1984. This song is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Orgelspiele". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Based on our statistics, Spain's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Spain by Barbara Dennerlein having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Midnight Pavement | renny 3l fantasma | C Minor | 4 | 5A | 202 BPM | ||
| Indiscretions | Joe Zawinul, The Zawinul Syndicate | F Major | 4 | 7B | 97 BPM | ||
| Something in the Rose | Robben Ford, Bill Evans | F Major | 5 | 7B | 96 BPM | ||
| Just call me baby | Vintage Calm Lounge | F Major | 5 | 7B | 96 BPM | ||
| Scrunch | The Brecker Brothers | F Minor | 5 | 4A | 190 BPM | ||
| Beyond the Shadows | Peter Clark | D♭ Minor | 1 | 12A | 72 BPM | ||
| Do It Again - 2025 Edition | Harold Mabern, Peter Bernstein | A♭ Major | 4 | 4B | 103 BPM | ||
| Half The Way | Wolfgang Lackerschmid, Mark Soskin, Jay Anderson, Adam Nussbaum | F Minor | 5 | 4A | 157 BPM | ||
| Going Back, Moving Forward | Matthew McDonald | G Minor | 2 | 6A | 180 BPM | ||
| Home, Quietly | Velvet Loops | F Major | 5 | 7B | 96 BPM | ||
| New Room | Erik Söderlind, Fredrik Lindborg, Kjell Öhman, Kenji Rabson, Moussa Fadera | B Minor | 3 | 10A | 137 BPM | ||
| Aja | Christian McBride | E Minor | 4 | 9A | 126 BPM | ||
| The Sidewinder | Joe Sample | F Minor | 8 | 4A | 163 BPM | ||
| Sound Between Beams | Silas Moonray | F Major | 5 | 7B | 96 BPM | ||
| Swing | scoth | F Major | 5 | 7B | 96 BPM | ||
| Kalimba | Bob Berg | C Minor | 4 | 5A | 91 BPM | ||
| Facing the Horizon | Peter Clark | D Major | 1 | 10B | 133 BPM | ||
| Standing Back | Wolkenpark | A♭ Major | 4 | 4B | 133 BPM | ||
| Traces Of The Past | Niels-Henning Ørsted Pedersen | G Minor | 3 | 6A | 112 BPM | ||
| Lara | Peter Autschbach, Barbara Dennerlein | C Minor | 5 | 5A | 159 BPM | ||
| Escher Sketch (A Tale Of Two Rhythms) | Michael Brecker | A♭ Major | 5 | 4B | 116 BPM | ||
| Gumbo Hump | Ray Brown Trio | C Major | 5 | 8B | 105 BPM | ||
| Hot It Up | Shelly Berg Trio | A♭ Major | 5 | 4B | 120 BPM | ||
| My Invitation | Mitch Watkins, Mark Mondesi, Barbara Dennerlein, Andy Sheppard | G Minor | 0 | 6A | 79 BPM | ||
| Nice 'N' Easy | The Gene Harris Quartet | F Major | 3 | 7B | 118 BPM |