"The Godfather: VII. The Godfather Waltz" by Nino Rota, Riccardo Muti, Massimo Colombo, Filarmonica della Scala, Milan La Scala Philharmonic Orchestra had its release date on 1995. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. The Godfather: VII. The Godfather Waltz's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Rota: Music for Film". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. The Godfather: VII. The Godfather Waltz is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Godfather: VII. The Godfather Waltz by Nino Rota, Riccardo Muti, Massimo Colombo, Filarmonica della Scala, Milan La Scala Philharmonic Orchestra having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sicily | Jeff Russo | G Minor | 1 | 6A | 80 BPM | ||
| Blue Morgan (End Credits) - From "Million Dollar Baby" | Clint Eastwood | C Major | 0 | 8B | 72 BPM | ||
| Piazzolla: Libertango (Arr. Milone for Trumpet and Orchestra) | Alison Balsom | A Minor | 3 | 8A | 150 BPM | ||
| Il grande duello, per flauto e orchestra d’archi | Luis Bacalov, Massimo Mercelli, Orchestre royal de chambre de Wallonie, Vahan Mardirossian | A Minor | 1 | 8A | 102 BPM | ||
| Cavalleria rusticana: Part II: Intermezzo | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Minor | 0 | 7A | 117 BPM | ||
| Inspector Morse Theme | Barrington Pheloung | A Minor | 1 | 8A | 66 BPM | ||
| Ladies in Waiting | Martin Phipps | G Minor | 4 | 6A | 156 BPM | ||
| Palladio: I. Allegretto | Karl Jenkins, NDR Radiophilharmonie, Ben Palmer | D Minor | 4 | 7A | 90 BPM | ||
| Napoleon's Piano | Martin Phipps | E♭ Major | 2 | 5B | 108 BPM | ||
| Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
| Noir I Derivazione | Franco Piersanti, Accademia Musicale Italiana | A Minor | 1 | 8A | 117 BPM | ||
| Grand-Fathers And Grand-Sons | Hélène Blazy | C Minor | 0 | 5A | 100 BPM | ||
| Dinner Jackets (From "Casino Royale" Soundtrack) | David Arnold | C Major | 0 | 8B | 103 BPM | ||
| A Shine Over Vosporos | Evanthia Reboutsika | D Minor | 3 | 7A | 84 BPM | ||
| Tchaikovsky's Piano Concerto No 1 | Liberace | D♭ Major | 2 | 3B | 90 BPM | ||
| GODFATHER PART II, THE - Kay | Raine, The City of Prague Philharmonic Orchestra | F Minor | 1 | 4A | 73 BPM | ||
| Clarinet & Saxophone Concerto: II. Calm Lake, Pt. 1 (Live) | Maya Badian, National Symphony Orchestra of Teleradio-Moldova | B♭ Minor | 4 | 3A | 74 BPM | ||
| I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 2 | 10B | 133 BPM | ||
| In the Hood | Ede Rezvanov, Onlyfire | D Minor | 1 | 7A | 95 BPM | ||
| Song to the moon (from “Rusalka”) | Antonín Dvořák, Osiris Trio, Peter Brunt, Larissa Groeneveld, Ellen Corver | F♯ Major | 0 | 2B | 87 BPM | ||
| Holocaust In Memoriam, Symphony: I. Preludio, Pt. 2 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | D♭ Major | 3 | 3B | 116 BPM | ||
| Hungry Hearts | Nicola Piovani | G Major | 1 | 9B | 79 BPM | ||
| Chi Mai (From "Le Professionnel") - Live | Katica Illényi | C Major | 7 | 8B | 122 BPM | ||
| Intermezzo in C Minor - "Money Wins" | Nicholas Britell | C Minor | 2 | 5A | 91 BPM | ||
| Altobello | Carmine Coppola | F Major | 1 | 7B | 109 BPM |