STSM's 'Tonya Deva Maanar Tujya' had a release date set for 2025. Tonya Deva Maanar Tujya is explicit and may not be suitable for children. With the duration being about 4:16, this song is close to the average duration of a typical track. Since Tonya Deva Maanar Tujya only contains only one song in the album, we like to consider this song as a single. Tonya Deva Maanar Tujya is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tonya Deva Maanar Tujya by STSM having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Devachiye Dwari (Haripath) - From "Sant Dnyaneshwaranchi Muktaai" | Srujan Kulkarni, Avadhoot Gandhi, Santsreshtha Shree Dnyaneshwar Maharaj | D♭ Major | 6 | 3B | 174 BPM | ||
| Shala De | Harsh-Vijay, Ishwar Andhare | B♭ Major | 4 | 6B | 135 BPM | ||
| Nudidhare Muttina | Sounds of Isha | A♭ Minor | 6 | 1A | 84 BPM | ||
| Helo Maro Sambhalo | Amit Dhorda | F Major | 6 | 7B | 155 BPM | ||
| Man Dhavtaya Chandrabhage Kathi | Mandar Apte | D♭ Major | 6 | 3B | 176 BPM | ||
| Sakhi Mand Jhalya Taarka | Saee Tembhekar | A♭ Major | 3 | 4B | 137 BPM | ||
| Dekho Ghor Andhakare | Rupankar | A Minor | 5 | 8A | 98 BPM | ||
| Ram Nami | Ghibran, Shenbagaraj, Narayanan Ravishankar, Sudharsan Ram, Traditional | A♭ Minor | 6 | 1A | 84 BPM | ||
| Jai he Damodara | Sai Damodar | E♭ Minor | 5 | 2A | 96 BPM | ||
| BOHOMAN SAMAY | Nachiketa Chakraborty, Somnath Banerjee | G Minor | 6 | 6A | 115 BPM | ||
| Guru Ha Maza Pathirakha | Somesh Narvekar | C Major | 5 | 8B | 86 BPM | ||
| Bhajapa Sfurtigeet | Suhas Sawant | A♭ Minor | 6 | 1A | 84 BPM | ||
| DHANU GAVCHI MAHALAXMI MAAY | Jagdish Patil | D Major | 8 | 10B | 154 BPM | ||
| Anadi Me Anant Me | Bharat Balvalli | D♭ Major | 6 | 3B | 140 BPM | ||
| Kalabhairava Ashtakam | Shankar Mahadevan | F Minor | 9 | 4A | 160 BPM | ||
| Asa kasa ghadta | Vinay Dolase | A♭ Major | 6 | 4B | 100 BPM | ||
| Angai geet | Vinay Dolase | F♯ Minor | 4 | 11A | 126 BPM | ||
| Dhanya Aaji Din | Dnyaneshwar Meshram | A Major | 7 | 11B | 122 BPM | ||
| Sod Gabhara Ekda | Anshuman More | A Major | 10 | 11B | 180 BPM | ||
| Re Nirdoye Tumi Ki | Jayati Chakraborty | A Major | 3 | 11B | 95 BPM | ||
| Eklai Bhayeni | Sujan Chapagain, Hark Saud, Anjuli Hamal | F♯ Major | 1 | 2B | 80 BPM | ||
| Mara Swami Padhariya | Toronto Rhythm | F Minor | 8 | 4A | 116 BPM | ||
| Kannya Tor Jebon Kotha (From "Binodiini") | Sourendro-Soumyojit | F Major | 5 | 7B | 115 BPM | ||
| Gau Aarti | Bhavik Haria | D Major | 7 | 10B | 84 BPM | ||
| Abhala | Shubha Joshi | D♭ Major | 5 | 3B | 141 BPM |