"gigantic" by SIE Sound Team had its release date on August 5, 2002. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 「ふたりのFANTAVISION」 オリジナル・サウンドトラック, so we believe that "gigantic" is a single. Based on our statistics, gigantic's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of gigantic by SIE Sound Team is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Copied City | 帆足圭吾 | F Minor | 7 | 4A | 88 BPM | ||
| A Single Bloom in an Eternity | Akiyuki Morimoto | B Minor | 8 | 10A | 144 BPM | ||
| The Worm Mounts | 祖堅 正慶 | E Minor | 7 | 9A | 78 BPM | ||
| City Ruins - Shade | 岡部啓一 | D Minor | 7 | 7A | 112 BPM | ||
| Ornstein & Smough | Motoi Sakuraba | D Minor | 2 | 7A | 96 BPM | ||
| Dependent Weakling | 高橋 邦幸 | D♭ Major | 6 | 3B | 99 BPM | ||
| The Blasted Heath | Stuart Chatwood | G Minor | 7 | 6A | 80 BPM | ||
| The Inn | Stuart Chatwood | D Minor | 1 | 7A | 84 BPM | ||
| World's End - Arch-Tempered Nergigante | TADAYOSHI MAKINO | D♭ Major | 10 | 3B | 160 BPM | ||
| Possessed by Disease | 岡部啓一 | D Minor | 7 | 7A | 112 BPM | ||
| A Reckoning in Blood | Ilan Eshkeri | G Minor | 5 | 6A | 88 BPM | ||
| Sacrifice of Tradition | Ilan Eshkeri | C Minor | 6 | 5A | 160 BPM | ||
| On the Edge Theme | Piotr Musiał | C Minor | 4 | 5A | 82 BPM | ||
| Memories of Green | Malcolm Robinson | E♭ Minor | 2 | 2A | 140 BPM | ||
| The Beginning | SIE Sound Team | F♯ Major | 2 | 2B | 125 BPM | ||
| Ambients | Daniel Licht | E Minor | 1 | 9A | 89 BPM | ||
| Abyss Watchers | Yuka Kitamura | F Minor | 4 | 4A | 75 BPM | ||
| The Last Array | C. Paul Johnson, Martin O'Donnell, Michael Salvatori | D♭ Major | 5 | 3B | 117 BPM | ||
| 「巨像の気配」~「異形の者達~巨像との戦い~」~「開かれる道~巨像との戦い~」~「戦いの終り」~「偶像崩壊」(メドレー) | 柴田真郁, Tokyo Symphony Orchestra, 東響コーラス, 末永匡 | A Minor | 3 | 8A | 79 BPM | ||
| The Wrath | Olivier Deriviere | G Major | 7 | 9B | 117 BPM | ||
| Combat in the Ruins | Stuart Chatwood | G Major | 9 | 9B | 150 BPM | ||
| Su Beso de Plata - Redux | Carlos Viola | F Major | 9 | 7B | 165 BPM | ||
| Memories of Dust | Kuniyuki Takahashi | D Minor | 6 | 7A | 73 BPM | ||
| Journey (feat. Kronos Quartet) | Skye Lewin, Michael Salvatori, Kronos Quartet | G Minor | 6 | 6A | 142 BPM | ||
| Keeper of Hades - Vaal Hazak | Akihiko Narita | G Major | 5 | 9B | 134 BPM |