"Selections From Friday Afternoons, Op.7 - Cuckoo!" by Benjamin Britten, Toronto Children's Chorus had its release date on 1991. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Benjamin Britten, Toronto Children's Chorus's "Mostly Britten" album is number 2 out of 37. On top of that, Canada appears to be the country where this track was created. Selections From Friday Afternoons, Op.7 - Cuckoo! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Selections From Friday Afternoons, Op.7 - Cuckoo! by Benjamin Britten, Toronto Children's Chorus to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Earth Seen from Above | Meredith Monk, Marc Shapiro, San Francisco Symphony Chorus, Vance George | A♭ Major | 0 | 4B | 70 BPM | ||
| Heyr þú oss himnum á | Anna Thorvaldsdottir, Schola Cantorum Reykjavicensis, Hörður Áskelsson | D Minor | 0 | 7A | 138 BPM | ||
| The Swan | Camille Saint-Saëns, Clara Rockmore, Nadia Reisenberg | A Minor | 4 | 8A | 90 BPM | ||
| A Midsummer Night's Dream / Act 1: "How Now My Love?" | Benjamin Britten, Sir Peter Pears, Josephine Veasey, London Symphony Orchestra | D Minor | 1 | 7A | 89 BPM | ||
| Canticles & Prayers, Having Beheld a Strange Nativity: No. 11, Glory (Quiet) | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | A♭ Minor | 0 | 1A | 68 BPM | ||
| Variations on a theme of Frank Bridge, Op.10: 7. Wiener Waltzer | Benjamin Britten, English Chamber Orchestra | C Major | 1 | 8B | 98 BPM | ||
| The Armed Man - A Mass For Peace: XII. Benedictus | Karl Jenkins, London Philharmonic Orchestra, National Youth Choir Of Great Britain, Mike Brewer, Guy Johnston | D Major | 0 | 10B | 79 BPM | ||
| sleeper's prayer | David Lang, The Crossing, Donald Nally, John Grecia | A Major | 1 | 11B | 114 BPM | ||
| Svjatki: V. Spring Is Coming | Galina Grigorjeva, Else Torp, Estonian Philharmonic Chamber Choir, Paul Hillier | G Minor | 0 | 6A | 85 BPM | ||
| String Quartet No. 3 (Mishima): Mishima / Closing | Philip Glass, Kronos Quartet | E♭ Major | 0 | 5B | 143 BPM | ||
| Mu Süda, Ärka Üles | Kammerkoor Head Ööd Vend | D♭ Major | 0 | 3B | 109 BPM | ||
| Lorsque vous n'aurez rien à faire | Dawn Upshaw | G Major | 2 | 9B | 87 BPM | ||
| Serenade of the Celestials | LeoRoads | E Major | 1 | 12B | 117 BPM | ||
| Tatem Park | Shelly | G Minor | 1 | 6A | 69 BPM | ||
| #20 (Lichen) | Brendan Eder Ensemble | C Major | 1 | 8B | 70 BPM | ||
| Plan & Elevation: V. The Beech Tree | Caroline Shaw, Attacca Quartet | G Major | 2 | 9B | 117 BPM | ||
| String Quartet In F Major, M.35: 2. Assez vif. Très rythmé | Maurice Ravel, Quatuor Ysaÿe | C Major | 0 | 8B | 79 BPM | ||
| Shine You No More | Rune Tonsgaard Sorensen, Danish String Quartet | F♯ Minor | 2 | 11A | 140 BPM | ||
| Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
| Knee 5 | Philip Glass Ensemble | G Major | 1 | 9B | 99 BPM | ||
| Sicut cervus | Giovanni Pierluigi da Palestrina, Choir of New College, Oxford, Robert Quinney | A♭ Major | 1 | 4B | 78 BPM | ||
| Other Song | Caroline Shaw, Attacca Quartet | D Major | 6 | 10B | 144 BPM | ||
| Light Ascending | Luke Howard, Shards | E Major | 1 | 12B | 66 BPM | ||
| Slow Twitchy Organs | Nico Muhly, James McVinnie | C Minor | 1 | 5A | 141 BPM |