"Swans" by Alex Baranowski had its release date on September 20, 2018. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Swans's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Nureyev (Original Score)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Swans's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Swans by Alex Baranowski having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wanderer | Meredi, Simon Goff, Philipp Johann Thimm | C Minor | 3 | 5A | 116 BPM | ||
| Assassin's Creed III Main Theme | Blades Without Sound | E Major | 1 | 12B | 83 BPM | ||
| Last Spring | Michael Torke, Siwoo Kim, East Coast Chamber Orchestra | E Minor | 2 | 9A | 88 BPM | ||
| Stillness - Reimagined by Alexandra Hamilton-Ayres | Poppy Ackroyd, Alexandra Hamilton-Ayres | A♭ Major | 3 | 4B | 130 BPM | ||
| The Four Seasons Recomposed: II. Spring I | David le Page, Orchestra of the Swan, Philip Sheppard | D♭ Minor | 2 | 12A | 100 BPM | ||
| In the Soft Light | Pêtr Aleksänder, Ian Burdge, Bruce White, Oli Langford, Tom Piggott-Smith | C Minor | 3 | 5A | 86 BPM | ||
| Loom — piano reworks | Eydís Evensen, Ólafur Arnalds | D Minor | 1 | 7A | 84 BPM | ||
| Molodost | Pascal Schumacher, Echo Collective | E♭ Minor | 1 | 2A | 80 BPM | ||
| Edward's Story on the Train & Grace Is Gone | Alex Heffes | G Minor | 0 | 6A | 63 BPM | ||
| The Cliffs | Chris Roe | D Minor | 2 | 7A | 83 BPM | ||
| Mika's Waltz | Felix Rösch | A Minor | 1 | 8A | 119 BPM | ||
| VI. Sea Ice Melting | Jacob Shea, Eldbjørg Hemsing, Arctic Philharmonic | C Major | 1 | 8B | 111 BPM | ||
| Feathers | Poppy Ackroyd | B♭ Minor | 1 | 3A | 95 BPM | ||
| Whispers From The Surface Of A Lake | Hior Chronik, Georgios Papadopoulos | A Minor | 2 | 8A | 143 BPM | ||
| Single Cell | Angus MacRae, Rick Leigh | E Major | 0 | 12B | 131 BPM | ||
| Gloaming | Angus MacRae | F Minor | 3 | 4A | 82 BPM | ||
| The Twelve Theme | Federico Albanese | D♭ Major | 0 | 3B | 135 BPM | ||
| Beginnings | James Heather | G Minor | 0 | 6A | 77 BPM | ||
| DNA (Arr. Knoth for Piano Quintet) | Ludovico Einaudi, Mari Samuelsen, Karolina Errera, Alexander Kovalev, Otto Tolonen, Julien Quentin | D♭ Minor | 1 | 12A | 94 BPM | ||
| Lord of the Manor | Jon Opstad | F Minor | 5 | 4A | 143 BPM | ||
| Our Companion | Anne Nikitin | D Minor | 2 | 7A | 76 BPM | ||
| Elysian Fields | Alex Baranowski | E♭ Major | 1 | 5B | 180 BPM | ||
| New Start - From BBC Series "North & South" | Martin Phipps | G Major | 1 | 9B | 81 BPM | ||
| Sept Douleurs | Alexandra Hamilton-Ayres, Her Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Becoming | Tony Woollard, Curve Ensemble | A♭ Major | 3 | 4B | 102 BPM |