"Blue in Green" by Calefax Reed Quintet, Eric Vloeimans had its release date on February 14, 2014. This song is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. There are a total of 11 in the song's album "On the Spot". In this album, this song's track order is #6. In terms of popularity, Blue in Green is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Blue in Green by Calefax Reed Quintet, Eric Vloeimans having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): V. Variation IV | Saverio Mercadante, Claudio Ferrarini | D Major | 2 | 10B | 108 BPM | ||
| Goldberg Variations Bwv 988, Variatio 23 | Calefax Reed Quintet | G Major | 4 | 9B | 100 BPM | ||
| Le tombeau de Couperin: Toccata. Vif | Maurice Ravel, Calefax Reed Quintet | E Minor | 2 | 9A | 138 BPM | ||
| 3 Chorale Preludes, Op. 122 (Arr. for Reed Quintet by Raaf Hekkema): No. 3, O Welt, ich muß dich lassen | Johannes Brahms, Calefax Reed Quintet | G Major | 1 | 9B | 116 BPM | ||
| Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: I. Allegro e non presto (Transcr. for Piccolo Trumpet and Baroque Orchestra by Simon Wright) | Tomaso Albinoni, Alison Balsom, Pinnock’s Players, Trevor Pinnock | D♭ Minor | 6 | 12A | 103 BPM | ||
| Raga Music: Vibhasa (Sunrise) | John Mayer, José María Belló García | A♭ Major | 0 | 4B | 135 BPM | ||
| Clarinet Concerto No. 2 in E flat major Op.74: II: Romanza: Andante | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | G Minor | 0 | 6A | 78 BPM | ||
| Missa à 5: IV. Sanctus (arr. Reed Quintet by Eduard Wesley) | William Byrd, Calefax Reed Quintet | E Minor | 0 | 9A | 77 BPM | ||
| Waldszenen: 5. Freundliche landschaft | Calefax Reed Quintet | B♭ Major | 1 | 6B | 133 BPM | ||
| Oboe Concerto in C Major - Arr. Benjamin: 3. Siciliana | Domenico Cimarosa, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | A Minor | 0 | 8A | 169 BPM | ||
| Flute Concerto Pour Potsdam in D Major, QV 5:41(Reinvented for Solo Flute by Luca Astolfoni Fossi): III. Presto | Johann Joachim Quantz, Claudio Ferrarini | D Major | 2 | 10B | 108 BPM | ||
| The river - VII. The River | Tony Overwater Trio, Calefax Reed Quintet | F Minor | 2 | 4A | 134 BPM | ||
| Aus Holbergs Zeit: 1. Praeludium | Calefax Reed Quintet | B♭ Major | 1 | 6B | 138 BPM | ||
| Double Bass Concerto in A Major: I. Allegro moderato | Domenico Dragonetti, Massimo Giorgi, I Solisti Aquilani, Vittorio Antonellini | A Major | 1 | 11B | 120 BPM | ||
| Lieder ohne Worte, Op. 67: No. 4 Presto "Spinnerlied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | C Major | 3 | 8B | 159 BPM | ||
| Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio | Carl Maria von Weber, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | E Minor | 0 | 9A | 105 BPM | ||
| Debussy Cakewalking | Belize Ensemble | C Minor | 1 | 5A | 83 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): II. Variation I | Saverio Mercadante, Claudio Ferrarini | D Major | 2 | 10B | 108 BPM | ||
| Concerto for Oboe and Strings in C Minor: I. Introduzione: Larghetto | Domenico Cimarosa, François Leleux | C Minor | 1 | 5A | 117 BPM | ||
| Breezin’ Along With the Breeze | Richard A. Whiting, Haven Gillespie, Seymour Simons, Cora Burggraaf, Calefax Reed Quintet | E♭ Major | 1 | 5B | 95 BPM | ||
| Bassoon Concerto in E minor, RV 484: 2. Andante | Antonio Vivaldi, Klaus Thunemann, Shizuko Noiri, I Musici | E Minor | 5 | 9A | 125 BPM | ||
| The Seven Last Words of Our Saviour on the Cross, Hob. XX (Hybrid Version): Introduction. Maestoso ed adagio | Joseph Haydn, Emerson String Quartet | C Minor | 2 | 5A | 114 BPM | ||
| Quintett No.3 in E flat for solo Clarinet and String Orchestra Op.23: II. Adagio | Heinrich Joseph Baermann, Sabine Meyer, Kenneth Sillito, Academy of St. Martin in the Fields | E♭ Major | 1 | 5B | 66 BPM | ||
| Clarinet Concertino: II. Toada. Andantino non troppo | Francisco Mignone, Ovanir Buosi, Orquestra Sinfônica do Estado de São Paulo, Giancarlo Guerrero | C Major | 2 | 8B | 144 BPM | ||
| Seven Magnificat Antiphons: VII. O Immanuel (arr. Counter Tenor & Reed Quintet by Raaf Hekkema) | Arvo Pärt, Kai Wessel, Calefax Reed Quintet | F Major | 0 | 7B | 127 BPM |