Bill Morrissey's 'Boston Eyes' had a release date set for January 1, 2004. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "The Essential Collection". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. Boston Eyes is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Boston Eyes by Bill Morrissey having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| River Song | Tom Rush | F Major | 4 | 7B | 97 BPM | ||
| The Promised Land | Dave Carter & Tracy Grammer, Dave Carter, Tracy Grammer | G Major | 6 | 9B | 125 BPM | ||
| Tom Dula | Bill Morrissey, Greg Brown | C Minor | 1 | 5A | 158 BPM | ||
| Nashville 1972 | Rodney Crowell | D♭ Major | 3 | 3B | 79 BPM | ||
| You Can't Help Me | The Last River Bottomed Fig Plucker | C Major | 1 | 8B | 80 BPM | ||
| Warren and Whitney | Lynn Crossett | C Major | 5 | 8B | 185 BPM | ||
| Bye Bye Montreal | Amelia Curran | F♯ Major | 4 | 2B | 121 BPM | ||
| There Stands The Glass | Ted Hawkins | F Major | 4 | 7B | 101 BPM | ||
| Cold Missouri Waters | Richard Shindell | C Major | 2 | 8B | 87 BPM | ||
| Are You Happy Now? | Richard Shindell | G Major | 7 | 9B | 171 BPM | ||
| Til It's Gone | Po' Girl | B♭ Major | 3 | 6B | 136 BPM | ||
| Ain't No Love In This R'n'R World | David Munyon | G Major | 6 | 9B | 125 BPM | ||
| Annie's Lover | Dave Carter, Tracy Grammer | C Major | 1 | 8B | 79 BPM | ||
| ALL YOU NEED | STEVE RUSTMOORE | G Major | 6 | 9B | 125 BPM | ||
| It Won't Be Long Now | Linda Thompson | B Major | 3 | 1B | 96 BPM | ||
| Cold, Cold Night | Bill Morrissey | F Major | 4 | 7B | 74 BPM | ||
| Oh Set a Light | Chip Taylor, Carrie Rodriguez | B♭ Major | 4 | 6B | 88 BPM | ||
| Bring Me Back Home | Richard Karl | G Major | 6 | 9B | 125 BPM | ||
| Nameless | Charlie White | G Major | 3 | 9B | 115 BPM | ||
| COUNT IT ALL PURE JOY | STEVE RUSTMOORE | G Major | 6 | 9B | 125 BPM | ||
| The Other Side of the River | Dayborn | A Major | 4 | 11B | 143 BPM | ||
| Be Bigger Than A Dream | David Munyon | G Major | 6 | 9B | 125 BPM | ||
| Boulevard Of Broken Dreams | Bill Bourne | E♭ Major | 2 | 5B | 134 BPM | ||
| Must Be the Whiskey | Chip Taylor, Carrie Rodriguez | F Major | 4 | 7B | 94 BPM | ||
| Red (Elegy) | Dave Carter & Tracy Grammer, Dave Carter, Tracy Grammer | G Major | 6 | 9B | 125 BPM |