Marie Goossens, David Snell, Wally Stott Orchestra's 'It's a Blue World (From "Music in My Heart")' had a release date set for 2007. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. It's a Blue World (From "Music in My Heart")'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Great Film Songs of The '40s, Vol. 2" album is number 2 out of 13. On top of that, United States appears to be the country where this track was created. In terms of popularity, It's a Blue World (From "Music in My Heart") is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of It's a Blue World (From "Music in My Heart") by Marie Goossens, David Snell, Wally Stott Orchestra to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Bayadere, Act III: 43. "Entrance - Corps De Ballet, Nikiya, Solo | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 1 | 10B | 80 BPM | ||
| Romeo and Juliet Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton | A Minor | 1 | 8A | 92 BPM | ||
| Tres jolie, Op. 159 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | D Major | 1 | 10B | 119 BPM | ||
| The Sleeping Beauty, Op. 66 : Panorama | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | G Major | 0 | 9B | 131 BPM | ||
| La bohème: Quando me'n vo' | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | A Minor | 3 | 8A | 77 BPM | ||
| Khachaturian : Gayaneh Suite No.1 : II Dance of the Young Maidens | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E Minor | 1 | 9A | 114 BPM | ||
| La source, ou Naila: Suite No. 3: Suite No. 3: Finale | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 66 BPM | ||
| Rêve Astral | Etoilee | F Minor | 8 | 4A | 119 BPM | ||
| Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Casta Diva from Norma | Vincenzo Bellini, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 177 BPM | ||
| Huckle-Buckle: Huckle Buckle | Robert Farnon, Geoffrey Gilbert, Raymond Cohen, Marie Goossens, Leslie Jones Orchestra, Leslie Jones | D Major | 1 | 10B | 105 BPM | ||
| Wine, Women and Song - Waltz Op. 333 | Johann Strauss II, Hallé, Bryden Thomson | B♭ Major | 0 | 6B | 188 BPM | ||
| Ponchielli: La Gioconda, Op. 9, Act 3: "Prodigio! Incanto!" (Coro) - Danza delle ore | Amilcare Ponchielli, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | C Major | 1 | 8B | 88 BPM | ||
| Cavalleria Rusticana: Intermezzo | Pietro Mascagni, Eugene Ormandy | C Major | 1 | 8B | 105 BPM | ||
| Sibelius: 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste | Jean Sibelius, Paavo Järvi, Estonian National Symphony Orchestra | B♭ Major | 5 | 6B | 131 BPM | ||
| Cavalleria Rusticana I - Intermezzo | Heribert Beissel | F Major | 1 | 7B | 81 BPM | ||
| Lake of the Woods | Robert Farnon, Geoffrey Gilbert, Raymond Cohen, Marie Goossens, Leslie Jones Orchestra, Leslie Jones | F Major | 1 | 7B | 71 BPM | ||
| Carmen Suite: VIII. Bolero (after G. Bizet): Changing of the Guard | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 1 | 9B | 114 BPM | ||
| Fra Holbergs tid, Op. 40: IV. Air (From Holberg's Time) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | A♭ Major | 1 | 4B | 102 BPM | ||
| Flute Sonata, Op. 15, "La Flûte de Pan": Pan et les oiseaux, Op. 15 | Jules Mouquet, Marc Grauwels, Brussels Philharmonic, Andre Vandernoot | C Minor | 0 | 5A | 142 BPM | ||
| Musetta's Waltz Song (La Boheme) | Geoff Love & His Orchestra | E Major | 1 | 12B | 86 BPM | ||
| Suite Of Cotswold Folk Dances (1978): Constant Billy | Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland | D Major | 1 | 10B | 96 BPM | ||
| Dance of the Hours | Ponchielli, Grand Philharmonia Orchestra | C Major | 4 | 8B | 115 BPM | ||
| Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Pelleas et Melisande - Prelude: Quasi Adagio | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | G Major | 1 | 9B | 83 BPM | ||
| Valse-Caprice in E-Flat Major | Alexander Dargomyzhsky, Yevgeny Svetlanov, USSR State Symphony Orchestra | E♭ Major | 3 | 5B | 124 BPM |