On June 21, 2004, the song "21. アレグロ ヘ長調" was released by Joseph Haydn, 神野明. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in ソナチネ アルバム 1 [全音楽譜準拠] -監修:神野 明-, so we believe that "21. アレグロ ヘ長調" is a single. In terms of popularity, 21. アレグロ ヘ長調 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 21. アレグロ ヘ長調 by Joseph Haydn, 神野明 is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bach, JS: Violin Sonata No. 5 in F Minor, BWV 1018: III. Adagio | Johann Sebastian Bach, Renaud Capuçon, David Fray | F Minor | 0 | 4A | 181 BPM | ||
| Sinfonia In D Major, Wq. 183/1, H. 663 : III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
| Symphony in D Major, Op. 18, No. 2: I. Grave - Allegro assai | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 89 BPM | ||
| Bassoon Concerto in F Major, Op. 75, J. 127: I. Allegro ma non troppo | Carl Maria von Weber, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | F♯ Major | 1 | 2B | 71 BPM | ||
| Die Jahreszeiten, Hob. XXI:3, Der Frühling: VIII. Freudenlied mit abwechselndem Chor der Jugend, "Oh, wie lieblich ist der Anblick" | Franz Joseph Haydn, Christina Landshamer, Maximilian Schmitt, Florian Boesch, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 1 | 10B | 68 BPM | ||
| Field : Piano Concerto No.2 in A flat major H31 : II Poco adagio | John Field, Andreas Staier, David Stern & Concerto Köln, David Stern, Concerto Köln | D Minor | 2 | 7A | 117 BPM | ||
| Symphony in C Major, Bryan C11 "Il comista": I. Allegro con brio | Johann Baptist Vanhal, Munich Philharmonic Chamber Orchestra, Michael Helmrath | E Major | 0 | 12B | 76 BPM | ||
| Keyboard Concerto in C Major, Wq. 20: II. Adagio ma non troppo | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | C Major | 1 | 8B | 136 BPM | ||
| Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: I. Introduzione. Maestoso ed adagio | Joseph Haydn, Hofkapelle Stuttgart, Frieder Bernius | G Minor | 0 | 6A | 173 BPM | ||
| Symphony in C Major, W. I/6: I. Allegro di molto | Johann Christoph Friedrich Bach, Leipziger Kammerorchester, Morten Schuldt-Jensen | C Major | 1 | 8B | 75 BPM | ||
| Symphony in G Major, Op. 11 No. 1: III. Allegro assai | Joseph Boulogne Chevalier de Saint-Georges, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 98 BPM | ||
| Symphony No. 5 In B Flat, D.485: I. Allegro | Franz Schubert, Wiener Philharmoniker, Karl Böhm | F Major | 2 | 7B | 75 BPM | ||
| Havanaise, Op. 83: I. Allegretto e lusinghiero - 2020 Remastered Version | Camille Saint-Saëns, Zino Francescatti, William Smith, Columbia Symphony Orchestra | E♭ Major | 4 | 5B | 113 BPM | ||
| Symphony in A Major, J-C 62: IIIa. Presto assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 1 | 1A | 93 BPM | ||
| Symphony in F minor, H.I No. 49 -"La passione": 1. Adagio | Joseph Haydn, English Chamber Orchestra, Daniel Barenboim | F Minor | 0 | 4A | 84 BPM | ||
| Das Waldmädchen: No. 6, Allegretto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 2 | 10B | 139 BPM | ||
| Viola Concerto in D Major, Op. 1: III. Rondeau | Carl Stamitz, Victoria Chiang, Baltimore Chamber Orchestra, Markand Thakar | D Major | 1 | 10B | 100 BPM | ||
| Flute Concerto in G Minor, QV 5:196: I. Allegro di molto, ma con brio | Johann Joachim Quantz, Benedek Csalog, Aura Musicale Ensemble | F Major | 2 | 7B | 145 BPM | ||
| Presto | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | G Major | 2 | 9B | 143 BPM | ||
| Cublai, gran kan de' Tartar Overture | Antonio Salieri, Matthias Bamert, London Mozart Players | D Major | 2 | 10B | 88 BPM | ||
| Symphony in A Major, Op. 24 No. 2, P. I:7: III. Menuetto. Allegretto | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | A Major | 0 | 11B | 143 BPM | ||
| Bassoon Concerto in F Major, WoO 23, S63: I. Allegro moderato | Johann Nepomuk Hummel, Claudio Gonella, Orchestra Internazionale D'Italia, Diego Dini Ciacci | F Major | 1 | 7B | 118 BPM | ||
| Der Fischer und das Milchmädchen: I. Allegretto galante | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | F Major | 0 | 7B | 62 BPM | ||
| Sinfonia Concertante in B-Flat Major, Hob. I.105: II. Andante | Joseph Haydn, Gregory Ahss, Konstantin Pfiz, Lucas Macias Navarro, Guilhaume Santana, Claudio Abbado, Orchestra Mozart | F Major | 0 | 7B | 72 BPM | ||
| Symphony No. 85 in B-Flat Major, Hob.I:85, "La reine" (The Queen): II. Romanza | Joseph Haydn, Capella Istropolitana, Barry Wordsworth | E♭ Major | 0 | 5B | 116 BPM |