On January 1, 1987, the song "Automatic Office" was released by Marc Monsen. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Automatic Office's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Peter Luedemann, Marc Monsen, Jerry Rix's "Here Come the Sound Volume 3 Av Propulsion" album is number 10 out of 12. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Automatic Office is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Automatic Office by Marc Monsen to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ancestors | Synergy, Larry Fast | A♭ Major | 4 | 4B | 118 BPM | ||
| Drive to Win 2 | Geoffrey Bastow, Marc Monsen | D Major | 8 | 10B | 98 BPM | ||
| Ghosts of the Past | Sutnuz | F♯ Minor | 3 | 11A | 141 BPM | ||
| Linear Cipher | Dilko | A♭ Minor | 7 | 1A | 117 BPM | ||
| Marks 1 | Geoffrey Bastow, Marc Monsen | A♭ Major | 8 | 4B | 110 BPM | ||
| Digital Mirage | Universal Production Music | C Minor | 4 | 5A | 158 BPM | ||
| Fast Skateboard | Joris Zan | A♭ Major | 4 | 4B | 103 BPM | ||
| Realtime | Software | F Minor | 6 | 4A | 136 BPM | ||
| Catch 80 | Soisoian | B♭ Minor | 5 | 3A | 110 BPM | ||
| Because of Something | Alberto Moggi, Giuseppe Brittanni, Roger Malone, Ludovico Monteverdi | E Minor | 1 | 9A | 128 BPM | ||
| Walking Slowly | Marc Monsen | E Major | 5 | 12B | 105 BPM | ||
| far away | LoFi Wave | C Minor | 5 | 5A | 120 BPM | ||
| Royal Albert | Chills Affair | B Minor | 4 | 10A | 125 BPM | ||
| Adagio for a Vanishing Star | Aurelius Noctis | A♭ Major | 1 | 4B | 63 BPM | ||
| Last Hope To Die | Khandahar | D♭ Minor | 1 | 12A | 80 BPM | ||
| Glistening Peak - Remastered | Claude Larson, Manuel Landy | C Major | 4 | 8B | 172 BPM | ||
| Trilobites | Joel Vandroogenbroeck, Marc Monsen | E♭ Major | 5 | 5B | 76 BPM | ||
| Always Me | Ordion Azureim | D Minor | 0 | 7A | 120 BPM | ||
| Chaos and Order | Peter Mergener | G Minor | 4 | 6A | 100 BPM | ||
| The Internet | Richard Myhill | E Minor | 5 | 9A | 150 BPM | ||
| Short Period | Best Timeline | E♭ Minor | 3 | 2A | 78 BPM | ||
| Rayon De Soleil | Joel Vandroogenbroeck, Marc Monsen | A Minor | 3 | 8A | 109 BPM | ||
| Blue Dream | Douglas Morton | B♭ Minor | 1 | 3A | 116 BPM | ||
| Lo Que Queria Oir | Ego Nostrum | B♭ Major | 1 | 6B | 95 BPM | ||
| Blessing | Iusen | F♯ Major | 6 | 2B | 110 BPM |