Areia De Rio's ' "Telephone" was released on its scheduled release date, June 22, 2010. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Pure Acoustic Bossa Deux". In this album, this song's track order is #2. In terms of popularity, Telephone is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Telephone by Areia De Rio having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Will Survive | Juliana Aquino | E Minor | 5 | 9A | 100 BPM | ||
| Africa | NOA NOA | A Major | 4 | 11B | 140 BPM | ||
| Do You Really Want To Hurt Me | Karen Souza | G Major | 4 | 9B | 112 BPM | ||
| All that She Wants (Bossa version) | Tattyana | D♭ Major | 3 | 3B | 90 BPM | ||
| That's All | Rever Sound | G Minor | 5 | 6A | 148 BPM | ||
| Killing Me Softly | Nils Landgren | A Minor | 3 | 8A | 102 BPM | ||
| Rolling in the Deep | Shirley Adamson | B♭ Minor | 5 | 3A | 96 BPM | ||
| I'm a Believer | Beatriz e Lucas | G Major | 2 | 9B | 114 BPM | ||
| Last Train to London | Eve St. Jones, Massey | F Major | 4 | 7B | 115 BPM | ||
| Take on me | Sonya | D♭ Minor | 4 | 12A | 135 BPM | ||
| Company | Sarah Menescal | B Minor | 7 | 10A | 81 BPM | ||
| Just Can't Get Enough | Areia De Rio | A♭ Major | 4 | 4B | 105 BPM | ||
| アポロジャイズ | Georgeana Bonow | F♯ Minor | 3 | 11A | 118 BPM | ||
| Yes Sir, I Can Boogie | Lully Hill | D Major | 4 | 10B | 116 BPM | ||
| Forget You | Areia De Rio | D Major | 5 | 10B | 130 BPM | ||
| Brothers in Arms | Style Project | A♭ Minor | 2 | 1A | 94 BPM | ||
| Down | Areia De Rio | D Major | 4 | 10B | 132 BPM | ||
| Like a Stone | Francoise Sanders | A♭ Major | 7 | 4B | 80 BPM | ||
| Fading Like a Flower (Every Time You Leave) | Renauld, Mandy Jones | A Minor | 3 | 8A | 105 BPM | ||
| Honesty | Brazil XXI | G Minor | 3 | 6A | 124 BPM | ||
| 1979 | Mandy Jones | G Major | 2 | 9B | 118 BPM | ||
| The Whole Ball O' Wax (feat. Patrick Tuzzolino) | Joel Evans & Friends, Patrick Tuzzolino | D Minor | 4 | 7A | 118 BPM | ||
| One In a Million | Janaína | C Minor | 6 | 5A | 97 BPM | ||
| Umbrella (Bossa Version) | Lua Blanco | G Minor | 4 | 6A | 89 BPM | ||
| Is This Love | Groove Da Praia | A Major | 5 | 11B | 120 BPM |