Philip Larkin's ' "Next, Please" was released on its scheduled release date, September 27, 2010. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Philip Larkin Reads The Less Decieved". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Next, Please is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Next, Please by Philip Larkin having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lines Written in Early Spring | Stephen Murray, William Wordsworth | D♭ Major | 3 | 3B | 0 BPM | ||
| Gas Station Horror Stories, Pt. 6 | Mr. Nightmare | C Major | 4 | 8B | 127 BPM | ||
| Sadmin | Hannah Gadsby | B♭ Major | 6 | 6B | 89 BPM | ||
| The Birth of a New Nation (April 7, 1957), Pt. 1 | Martin Luther King, Jr. | F Minor | 5 | 4A | 168 BPM | ||
| Isaac’s Birth | Riley Weber | E Major | 5 | 12B | 171 BPM | ||
| Politics | Derek & Clive | D♭ Major | 1 | 3B | 80 BPM | ||
| Two Tramps in Mud Time | Robert Frost | A Major | 1 | 11B | 83 BPM | ||
| The Ugly Duckling, Pt. 8 | Fairy Tales for Kids | C Major | 2 | 8B | 66 BPM | ||
| Wedding Wind | Philip Larkin | F Major | 2 | 7B | 79 BPM | ||
| Intro to Focus 10 - Track 4 | Hemi-Sync | F♯ Major | 0 | 2B | 120 BPM | ||
| A Bone And A Bean | Priscilla Howe | A Minor | 1 | 8A | 112 BPM | ||
| Jack And The Marsh Ghost | The Ghastly Ghosts | B Minor | 2 | 10A | 61 BPM | ||
| Reasons for Attendance | Philip Larkin | G Minor | 2 | 6A | 172 BPM | ||
| Readings From "On the Road" And "Visions of Cody" | Jack Kerouac, Steve Allen | F Minor | 5 | 4A | 132 BPM | ||
| The Man In The Mirror | Busta Dogo | F Minor | 4 | 4A | 92 BPM | ||
| When Ever | plantamez | F Major | 0 | 7B | 151 BPM | ||
| Don’t Try To Know Everything | Spiritual Unfoldment with John Butler | D♭ Major | 1 | 3B | 59 BPM | ||
| Introduction | Kieran Ball | B♭ Minor | 1 | 3A | 90 BPM | ||
| DONT BE LEFT BEHIND | DIVINELY APPOINTED | F♯ Major | 0 | 2B | 110 BPM | ||
| Daybreak | Lady Glue | D♭ Major | 1 | 3B | 49 BPM | ||
| Before I knocked | Richard Burton | C Major | 1 | 8B | 101 BPM | ||
| Radically | ShowBoy | D Major | 1 | 10B | 133 BPM | ||
| Come My Side | Dondizzy | D♭ Major | 3 | 3B | 105 BPM | ||
| Recognizing Presence Is Here | Eckhart Tolle | G Minor | 5 | 6A | 59 BPM | ||
| Daddy | Sylvia Plath | B Minor | 2 | 10A | 72 BPM |