On January 1, 1989, the song "Bye-Ya" was released by Jerry Gonzalez, The Fort Apache Band. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Rumba Para Monk". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Bye-Ya is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Bye-Ya by Jerry Gonzalez, The Fort Apache Band having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rumba Pa'los Rumberos | Los Muñequitos De Matanzas | B♭ Minor | 5 | 3A | 133 BPM | ||
| The Palmieri Effect | The Brian Lynch/ Eddie Palmieri Project | G Minor | 9 | 6A | 117 BPM | ||
| Italian Market | Pablo Batista | A Minor | 8 | 8A | 67 BPM | ||
| Noche Azul | Francisco Aguabella | A Major | 5 | 11B | 133 BPM | ||
| Hi-Fly | Randy Weston | F Major | 6 | 7B | 124 BPM | ||
| Dantza | Gorka Benítez, Moisés P. Sánchez, Jeff Ballard, Michael Formanek | D Major | 4 | 10B | 83 BPM | ||
| Episode From A Village Dance | Charlie Sepulveda | F Minor | 5 | 4A | 115 BPM | ||
| Lush Life | Tito Puente & His Latin Ensemble | D♭ Major | 2 | 3B | 76 BPM | ||
| Angelina | Juan Miguel Vázquez Trío, Jorge Pardo, Jerry Gonzalez | G Minor | 2 | 6A | 107 BPM | ||
| Overjoyed | Danilo Perez | E Major | 4 | 12B | 93 BPM | ||
| Amo Esta Isla | Giovanni Hidalgo | G Major | 5 | 9B | 142 BPM | ||
| The Day We Said Goodbye | Yoko Miwa Trio | A♭ Major | 5 | 4B | 177 BPM | ||
| Guajira | Patato | F Minor | 7 | 4A | 129 BPM | ||
| Angelica | Emiliano Salvador | C Minor | 5 | 5A | 162 BPM | ||
| E Street Mambo | Pete Escovedo | C Major | 9 | 8B | 105 BPM | ||
| Rush Hour In Hong Kong | Louie Ramirez And His Conjunto Chango | F Major | 7 | 7B | 119 BPM | ||
| Besito Pa Ti | Mongo Santamaria Orchestra, La Lupe | G Major | 6 | 9B | 78 BPM | ||
| Concierto Para Metales | Irakere | G Major | 8 | 9B | 120 BPM | ||
| A Night In Tunisia | Caribbean Jazz Project | G Minor | 8 | 6A | 128 BPM | ||
| Historia de un Timbal | Son del Barrio Jazz Quintet | A♭ Major | 5 | 4B | 177 BPM | ||
| Baba Fieden Orisha | Jerry Gonzalez | F♯ Minor | 8 | 11A | 156 BPM | ||
| Yo Tengo Ritmo | Patato | G Minor | 6 | 6A | 128 BPM | ||
| Great Times | Rumbantela | A♭ Major | 9 | 4B | 119 BPM | ||
| Autumn Leaves | Cal Tjader's Modern Mambo Quintet | C Minor | 4 | 5A | 120 BPM | ||
| Rebirth of the Epimethean Man | Peter Evans | A♭ Major | 5 | 4B | 177 BPM |