"Shifting Sands Wreck Ships" by LIGHTS OUT ASIA had its release date on August 8, 2010. This song appears to be safe for all ages as it is not explicit. The track order of this song in LIGHTS OUT ASIA's "In the Days of Jupiter" album is number 10 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Shifting Sands Wreck Ships is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Shifting Sands Wreck Ships by LIGHTS OUT ASIA to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Currents Meet the Tide | LIGHTS OUT ASIA | C Major | 4 | 8B | 95 BPM | ||
| Second Shape, Pt. 2 | Cell | B♭ Minor | 2 | 3A | 69 BPM | ||
| Mir | LIGHTS OUT ASIA | G Minor | 7 | 6A | 122 BPM | ||
| Made of Sky (Ulrich Interlude) | Ulrich Schnauss, Jonas Munk, Pedigree Cuts | C Major | 3 | 8B | 110 BPM | ||
| Shinkansen | Miwon | F♯ Minor | 4 | 11A | 152 BPM | ||
| Es Kann Nicht Ewig Winter Sein | Bersarin Quartett | A Minor | 2 | 8A | 81 BPM | ||
| Shut | Frederic Robinson | A Major | 5 | 11B | 174 BPM | ||
| Flowing Lights | Nali Oro | F♯ Minor | 4 | 11A | 112 BPM | ||
| Pastorale | Darshan Ambient | E Major | 2 | 12B | 80 BPM | ||
| Subconscious Descent | MichuuxxEssence | A♭ Major | 1 | 4B | 100 BPM | ||
| Inside Your Dream | Melorman | C Major | 5 | 8B | 80 BPM | ||
| Sonnenblumenstrahl | Ulrich Schnauss, Jonas Munk, Pedigree Cuts | D Major | 7 | 10B | 174 BPM | ||
| Indian Summer (Applefish rework) | Good Weather For An Airstrike, Applefish | C Major | 3 | 8B | 70 BPM | ||
| Jedem Zauber wohnt ein Ende inne | Bersarin Quartett | B♭ Major | 2 | 6B | 101 BPM | ||
| Never Fine Again | Levin Gia Bao Nguyen, Resonance In Dissonance | D♭ Minor | 3 | 12A | 80 BPM | ||
| Scatter of Hope | The Echelon Effect | A♭ Major | 9 | 4B | 120 BPM | ||
| Roy | LIGHTS OUT ASIA | G Major | 6 | 9B | 115 BPM | ||
| Awake | David Helpling, Jon Jenkins | A Minor | 3 | 8A | 120 BPM | ||
| Warm Hands in Cold Fog | The Flashbulb | G Minor | 7 | 6A | 91 BPM | ||
| All The Beauty | Jani R | B Minor | 8 | 10A | 100 BPM | ||
| and ecstasy | THE POLAROID TIDE | G Minor | 5 | 6A | 100 BPM | ||
| Matter | Ascendant | D Minor | 5 | 7A | 168 BPM | ||
| Love Is... | The Best Pessimist | E♭ Major | 6 | 5B | 150 BPM | ||
| …You Can Walk Anywhere | Ulrich Schnauss, Jonas Munk, Pedigree Cuts | D Major | 7 | 10B | 174 BPM | ||
| Digital Dawn | Hollow Horses | C Major | 4 | 8B | 139 BPM |